EXPOSURE CORRECTION
An
y
normal
subJeCt c
an be accurately
exposed
by
follow•
ng
the
meter
read1ng.
However.
best results
are
Ob
ta•n
ed
under
the
following
situauons
by
corr ectmg
the
exposu
re.
1.
Backlighted
Subjects. etc
.
Sac..,lJah
te
d su
bJeCts or sk1
scenes.
wh1ch
ar~
domi-
natt?d . . . .
by
w
hite areas
and strong
reflect1ons.
will tu
rn
out
. . . .
.,11tt1
the
mam
subJeC
t
underexposed
.
By
opening
'''"
apertu
re
by
1/
2
or
1 full stop.
or
by
approachong
me
rnau1
sub)
ect to
measure the
ltght
intenstty,
it
can
b~J
co
rrectly
exposed
.
2.
Spot-lighted Subjects, etc.
l\.
p~
r
son
stand•ng
before
a
black
background or
a
spa!
ltgh
ted su b,ec
t '"
a
stage play w1ll be
•nfluenced
by
tl'c
da
rk
surr
ound1ngs and
turn out
overexposed.
1110 a
pen ure
should be
stopped
down by l
/
2 or
l
l
lJ11 stO
p
befow
that •ndt
c
at ed by
th
e
meter.
3
.
Copying Documents
The ma jor portion of most documents are occupied
by wh ite
areas.
The situation calfs for opening the
aperture by l full stop from that
indicated
by the
meter.
If
you
want to be more precise. place an 18%
standard
reflectance card in front of the camera and
set the
exposure
w ith the exposure
meter.
For max1mUm
corner-tc-corner
sharpness.
the mini-
mum pracucaf aperture
should
be used for copying
work and for taking
close-ups.
4
.
Taking Advantage of the Eye Cup
With the aperture stopped weil
down.
the light
reflected from your eve or spectacles (if
you
are
wearing
them) w ill reach the
focusing
glass and
shghtly influence Jhe meter read
ing.
To avoid
thiS,
use an Eve
Cup,
over
the
Viewfinder
eyepiece.
57