Behringer EUROPOWER PMP2000D Guia De Inicio Rapido página 14

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EUROPOWER PMP2000D
EUROPOWER PMP2000D Controls
(EN) Controls
(1) The FX control determines the signal level that
is routed from the respective channel to the
built-in effects processor.
(2) The HIGH control in the EQ section governs
the high frequencies of the respective channel.
(3) Use the MID control to boost/cut the
mid range.
(4) The LOW control allows you to raise or lower
the bass frequencies.
(5) The MON control determines the channel's
volume assigned to the monitor mix.
(6) Use the LEVEL control to set the volume level
of the respective channel.
(7) Use the CLIP LED to ensure that the input gain
is set properly. The CLIP LED should light up
only with peak signals, but never all the time.
(8) The PAD button reduces the channel
input sensitivity by 25 dB. Thus, you can
also connect high-level line signals to the
respective channel input.
(9) This HI-Z/LINE input can be used to connect
line level signal sources, such as keyboards,
electric and bass guitars.
(10) This is the channel's balanced XLR
microphone input.
The stereo line input of channels 7 - 12 can be
(11)
used to connect, for example, keyboards with
stereo outputs or a stereo drum computer.
(12) The 2-TRACK/LINE IN RCA input of channel
13/14 allows you to feed in external stereo
signals from your CD player or tape deck,
for example.
The 2-TRACK/LINE OUT RCA output
(13)
provides the stereo main mix signal of
your PMP2000D and can be routed to, say,
a recording machine.
(14) The phantom power supply provides the
voltage necessary for the operation of
condenser microphones. Use the PHANTOM
POWER switch to activate the supply together
for channels 1 - 12 (XLR connector). The LED
above the switch is lit when phantom power
is on.
(15) This is the PMP2000D's graphic stereo
equalizer, which comprises two units and
can be used to adapt the sound to the
room acoustics.
(16) Use the EQ IN buttons to switch the two
equalizer units on or off.
(17) Press the LOW CUT button to activate the
low-cut filter of channels 1 - 6. This filter
eliminates unpleasant bass frequencies
(e.g. microphone pop noise).
(18) The FX TO MON control determines the effects
intensity of the multi-effects processor as
part of the monitor mix. Turn the control fully
counter-clockwise to add no effect to the
monitor mix.
(19) The MONITOR LEVEL control adjusts the
volume of the monitor mix.
(20) Use the MONITOR LEVEL display to control
the monitor signal level. The upper LED (LIM)
lights up when the built-in limiter is activated,
thus protecting against overload.
(21) POWER AMP switch determines whether
the PMP2000D works as a stereo amplifier
(MAIN L/MAIN R), a dual amplifier with
the left channel dedicated to monitoring
(MONITOR/MONO) or a single mono amplifier
with both channels dedicated solely to
front-of-house sound reinforcement
(BRIDGE/BRIDGE). In BRIDGE/BRIDGE mode,
please use a single 2-pole speaker cable with
pins 1+ and 2+ of OUTPUT B only.
(22) The MAIN LEVEL control governs the overall
volume of the PMP2000D.
(23) The MAIN LEVEL display reads the output
level of the PMP2000D. The upper LED (LIM)
lights up when the built-in limiter is activated,
thus protecting against signal peaks.
(24) The FX TO MAIN control functions as FX return
for the built-in effects processor. Use this
control to add the desired effect signal to the
main mix. No effect signal is added when the
FX TO MAIN is set fully counter-clockwise.
(25) DIGITAL WIRELESS USB input accepts
the optional BEHRINGER wireless
microphone receiver. The LEDs indicate
wireless microphone signal input.
WIRELESS MIC 1/MIC 2 input signals are
routed to channel 1 and channel 2.