PROEL M602FX Manual De Uso página 38

Tabla de contenido

Publicidad

Idiomas disponibles
  • ES

Idiomas disponibles

‫، ﺃﻭ ﺧﻔﺽ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﻳﻣﻳﻧﺎ ﻭﻳﺳﺎﺭﺍ ﻓﻲ ﺣﺎﻟﺔ‬MONO ‫ﺍﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﻳﺳﺎﺭﺍ ﻭﻳﻣﻳﻧﺎ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺳﺗﺧﺩﻣﺔ ﻓﻲ‬
‫، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ‬LED PEAK ‫ ﻓﻬﺫﺍ ﻳﻌﻧﻲ ﺃﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﻗﺭﻳﺑﺔ ﻣﻥ ﺍﻟﺗﺷﻭﻩ. ﻫﺎﻡ: ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ‬LED PEAK ‫ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ‬
‫ ﺑـ 42 ﺑﺕ. ﻳﺷﻣﻝ 61 ﺇﻋﺩﺍﺩ ﻣﺳﺑﻖ‬AD/DA ‫ ﻗﻭﻱ ﻭﻋﻠﻰ ﻣﺣﻭﻻﺕ‬DSP ‫( ﻗﺎﺋﻡ ﻋﻠﻰ‬PROFEX digital effect processor) ‫ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ‬
‫؛‬preset ‫- ﺍﺿﻐﻁ ﻣﺟﺩﺩﺍ ﻟﻣﺩﺓ ﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﺗﻭﻗﻑ ﺍﻟﺷﺎﺷﺔ ﻋﻥ ﺍﻟﻭﻣﻳﺽ ﻟﺗﺄﻛﻳﺩ ﺍﻟﺗﻐﻳﻳﺭ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟﻰ ﺗﺣﺩﻳﺩ‬
‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻛﺛﻳﺭﺓ ﺑﺗﺭﺩﺩﺍﺕ‬BRIGHT HALL .1 ‫ﺹ‬
‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕ‬DARK HALL .2 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬BRIGHT ROOM .3 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬DARK ROOM .4 ‫ﺹ‬
.hall ‫ ﺃﻭ‬plate, spring ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.spring ‫ ﺃﻭ‬tape, hall ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬STEREO DELAY ‫ - ﻛـ‬STEREO TAP DELAY .9 ‫ﺹ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬eco mono‫ - ﺇﻥ‬MONO TAP DELAY .10 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ‬CHORUS .11 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲ‬FLANGER .12 ‫ﺹ‬
38
.‫ﻳﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻷﻳﺳﺭ ﻭﺍﻷﻳﻣﻥ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﻭﺿﻊ ﺍﻟﺻﻭﺕ ﻓﻲ ﻣﺷﻬﺩ ﺑﺎﻧﻭﺭﺍﻣﺎ ﺍﺳﺗﺭﻳﻭ‬
.‫، ﻭﻳﻌﺭﺽ ﻛﻝ ﻣﻧﻬﺎ 61 ﻣﺗﻐﻳﺭﺍ ﻣﻥ ﺍﻟﻣﻌﺎﻣﻼﺕ ﻹﺟﻣﺎﻟﻲ 652 ﺗﺄﺛﻳﺭﺍ ﻣﺗﻭﻓﺭﺍ‬studio-grade ‫ﺑﺧﻭﺍﺭﺯﻣﻳﺎﺕ ﺗﺄﺛﻳﺭ‬
.‫، ﺍﺿﻐﻁ ﻟﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﻭﻣﺽ ﺷﺎﺷﺔ ﺍﻟﻌﺭﺽ‬preset ‫- ﻟﺗﺣﺩﻳﺩ ﺗﻐﻳﻳﺭ‬
.‫( ﻟﻠﻘﻧﺎﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺿﺎﻓﺔ ﺍﻟﺗﺄﺛﻳﺭ ﺇﻟﻳﻬﺎ‬AUX (9)(17 ‫- ﺃﺭﺳﻝ ﺇﺷﺎﺭﺓ ﺑﺎﻟﺗﺄﺛﻳﺭ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ‬
.(23) ‫ ﻟﻠﻘﻣﺔ‬LED ‫( ﻗﺑﻝ ﺗﺷﺑﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﻭﺿﺢ ﻋﻠﻰ‬AUX (9)(17 ‫- ﺍﺿﺑﻁ ﺍﻟﺗﺣﻛﻡ‬
.‫، ﻭﺍﻟﺘﻐﻴﻴﺮ ﺍﻟﻤﺤﺪﺩ ﺃﻳﻀﺎ ﻓﻲ ﺣﺎﻟﺔ ﺇﻏﻼﻕ ﺍﻟﺨﻼﻁ‬preset ‫ ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓ‬PROFEX ‫ﻣﻼﺣﻈﺔ: ﻳﺤﻔﻆ‬
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝ‬VOCAL 1 (STAGE REVERB .5 ‫ﺹ‬
.‫" ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕ‬plate" ‫ - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲ‬PLATE .7 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰ‬STEREO DELAY .8 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻻﺳﺗﺭﻳﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 1 .13 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻟﻣﻭﻧﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 2 .14 ‫ﺹ‬
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻘﻧﺎﺓ‬FADER LEVEL .14
.MAIN MIX ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ، ﻭﻳﺭﺳﻠﻬﺎ ﺇﻟﻰ ﻣﺧﺭﺝ‬
‫( ﺍﻟﻣﺭﺍﺩ ﺍﺳﺗﺧﺩﺍﻣﻪ؛‬preset) ‫- ﺃﺩﺭ ﻣﻔﺗﺎﺡ ﺍﻻﻧﺗﻘﺎء ﻻﺧﺗﻳﺎﺭ ﻧﻭﻉ ﺍﻟﺗﺄﺛﻳﺭ‬
.‫( ﺣﺗﻰ ﺗﺳﻣﻊ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL (24 ‫- ﻟﻑ ﺍﻟﻣﻘﺑﺽ‬
.‫ ﻟﺟﻣﻊ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﻣﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻁﺑﻳﻌﻳﺔ‬FX LEVEL ‫- ﺍﺿﺑﻁ ﻣﺟﺩﺩﺍ ﺍﻟﻣﻘﺑﺽ‬
.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﻭﺍﻟﺟﻳﺗﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ ﻭﺍﻷﻭﺗﺎﺭ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱ‬VOCAL 2 (CLUB REVERB .6 ‫ﺹ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[2] ‫ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] 90% ‫( ﻣﻥ %5 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[16] 75% ‫( ﻣﻥ %0 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.‫ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
(‫ )ﺗﺣﻛﻡ ﺍﻟﺑﺎﻧﻭﺭﺍﻣﺎ‬PAN .11
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﺗﻭﺍﺯﻥ‬BAL .12
.STEREO ‫ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﻘﻧﺎﺓ ﻓﻲ ﻭﺿﻊ‬
(‫ )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔ‬PEAK .13
.(GAIN) ‫ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏ‬
(‫ )ﻣﻔﺗﺎﺡ ﺍﻧﺗﻘﺎء ﻭﻋﺭﺽ ﺍﻟﺗﺄﺛﻳﺭ‬PRESETS .15
:PROFEX ‫ﻛﻴﻔﻴﺔ ﺍﺳﺘﺨﺪﺍﻡ ﺗﺄﺛﻴﺮ‬
.‫- ﺛﻡ ﺃﺩﺭ ﺍﻟﻣﻘﺑﺽ ﻻﺧﺗﻳﺎﺭ ﻭﺍﺣﺩﺍ ﻣﻥ 61 ﺗﻐﻳﻳﺭﺍ‬
.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ‬
:preset ‫ﻭﺻﻒ‬

Publicidad

Tabla de contenido
loading

Tabla de contenido