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CHANNEL CONTROL SECTION:
the STEREO L & R buses.
⑦ PEAK indicator
The peak level of the post –EQ signal is detected and the PEAK indicator light yellow when the level
reaches 3dB below clipping.
⑧ Channel Fader Control
Adjusts the level of the channel signal. Use these faders to adjust the balance between the various
channels.
NOTE: Set the faders for unused channels all the way down to minimize noise.
① MIC input jack
Balanced XLR microphone input jacks (1: ground; 2: hot; 3: cold)
② LINE input jacks
Balanced TRS phone jacks (T: hot; R: cold; S: Ground)
You can connect either balanced or unbalanced Jack plugs to this socket.
③ GAIN control
Adjustment of the input signal level. To get the best balance between the
S/N ratio and the dynamic range, adjust the input signal level so that the
PEAK indicator lights occasionally and briefly only on the highest input
transients.
④ Equalizer (HIGH, MID & LOW)
This 3-band EQ adjusts the channel's high, mid and low frequency bands. The
stereo channel has a 2-frequency band: HIGH & LOW. Setting the knob to the
"▼" position produces a flat frequency response in the corresponding band.
Turning the knob to the right boosts the corresponding frequency band,
while turning to the left attenuates the band. The following table shows the
EQ type, frequency and maximum cut/boost for each of the three bands.
Band
HIGH
MID
LOW
⑤ EFFECT Control
Adjusts the level of the signal sent from the channel to the EFFECT bus. Note
that the signal level sent to the bus is also affected by the channel fader.
⑥ PAN control
The PAN control determines the stereo positioning of the channel signal on
Type
Frequency
Shelving
Peaking
Shelving
Max. Cut/Boost
12kHz
2.5kHz
80Hz
± 15dB
4
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