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- ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕDARK HALL .2 ﺹ
- ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓBRIGHT ROOM .3 ﺹ
- ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓDARK ROOM .4 ﺹ
.hall ﺃﻭplate, spring ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ
.spring ﺃﻭtape, hall ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ
.( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝTAP (22 ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭSTEREO DELAY - ﻛـSTEREO TAP DELAY .9 ﺹ
.( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝTAP (22 ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭeco mono - ﺇﻥMONO TAP DELAY .10 ﺹ
. - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲCHORUS .11 ﺹ
. - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲFLANGER .12 ﺹ
.[1-16] 75% ( ﻣﻥ %0 ﺇﻟﻰfeedback) ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ
.[1-16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﺗﺯﻳﺩ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ﺇﻟﻰ 5 ﻫﺭﺗﺯ
" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏTAP DELAY" ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ
ﻭﺭﺅﻳﺔC.ROOM ﻋﺑﺭ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ ﻭﺧﺭﺝFX ( ﻟﺗﺄﺛﻳﺭAFL) ( ﻭﺍﻟﻌﻭﺩﺓPFL) ﻳﻌﻣﻝ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺗﻣﻛﻳﻥ ﺍﻟﺳﻣﻊ ﺍﻟﻣﺳﺑﻖ ﻹﺷﺎﺭﺍﺕ ﺍﻹﻳﺎﺏ
ﺍﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﺇﺳﻛﺎﺕ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻘﺎﺩﻣﺔ ﻣﻥ ﺗﺄﺛﻳﺭ ﺧﺎﺭﺟﻲ. ﻣﻼﺣﻅﺔ: ﻳﻣﻛﻥ ﺗﺷﻐﻳﻝ ﺃﻭ ﺇﻳﻘﺎﻑ ﺍﻟﺗﺄﺛﻳﺭ ﺑﻭﺍﺳﻁﺔ ﺩﻭﺍﺳﺔ ﻣﺗﺻﻠﺔ
PROEL ( ﻟﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﺑﻣﻼﻣﺱ ﻣﺅﻗﺕ ﻣﻔﺗﻭﺡ ﻋﺎﺩﺓ )ﻏﻳﺭ ﻣﻭﺭﺩ - ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻲ ﻣﻥ ﻣﻭﺩﻳﻝTS) ﻗﺎﺑﺱ ¼" )3.6ﻣﻠﻡ( ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ
" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﻩ ﺍﻟﺩﻭﺍﺳﺔ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭTAP DELAY" (. ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭGF29
51
.( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝVOCAL 1 (STAGE REVERB .5 ﺹ
." ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕplate" - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲPLATE .7 ﺹ
. - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰSTEREO DELAY .8 ﺹ
. - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻻﺳﺗﺭﻳﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎREVERB+DELAY 1 .13 ﺹ
. - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻟﻣﻭﻧﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎREVERB+DELAY 2 .14 ﺹ
. ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎmono TAP ﻭhall - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭREVERB+TAP DELAY .15 ﺹ
. - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﻠﺻﻭﺕ ﻭﺗﺄﺛﻳﺭ ﺍﻟﻛﻭﺭﺍﺱ ﻳ ُ ﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎREV+CHORUS .16 ﺹ
.AUX FX ﻳﺑﻠﻎ ﻋﻥ ﻣﺳﺗﻭﻯ ﺍﻟﺩﺧﻝ ﺍﻟﻌﺎﻟﻲ ﺟﺩﺍ، ﺍﻟﻘﺭﻳﺏ ﻣﻥ ﻗﻁﻊ ﺩﺧﻝ ﺍﻟﺗﺄﺛﻳﺭ. ﻭﻓﻲ ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺗﺳﻠﻳﻡ
.(PROEL GF29 ( ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﺧﻼﻁ )ﻣﻭﺩﻳﻝ ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻭMUTE) ﺻﻝ ﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﻹﺳﻛﺎﺕ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱVOCAL 2 (CLUB REVERB .6 ﺹ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[2] ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[16] 90% ( ﻣﻥ %5 ]1[ ﺇﻟﻰfeedback) ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ
.[16] 75% ( ﻣﻥ %0 ]1[ ﺇﻟﻰfeedback) ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ
.ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ
.[16] ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ
.[16] ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
( ﺍﻟﻣﻭﺟﻭﺩ ﺑﺎﻷﺳﻔﻝTAP (22 ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭmono ﻭﻗﺕ ﺗﺄﺧﻳﺭ
( ﺗﻧﺷﻁ ﺑﺗﺄﺛﻳﺭ ﻣﺳﻣﻭﻉ ﻣﺳﺑﻘﺎLED )ﺯﺭSOLO .23
.MAIN MIX ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﺍﻟﻣﺭﺳﻠﺔ ﺇﻟﻰ ﺧﺭﺝ
(AUX 1 )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ ﻋﻠﻰFX TO AUX1 .28
.ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ
( ﻟﺿﺑﻁ ﺍﻟﻭﻗﺕLED ﺑﺯﺭ ﻣﻊTAP .21
.LED ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ ﻭﺍﻟﻣﺭﺋﻲ ﻣﻥ
( )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔPEAK .22
.LED ﻣﺳﺗﻭﻯ ﻋﺩﺍﺩ
( )ﺯﺭ ﻹﺳﻛﺎﺕ ﺍﻟﺗﺄﺛﻳﺭMUTE .24
.FX MUTE ﺑﺎﻟﻣﻘﺑﺱ
( )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭFX LEVEL .25
( )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔTAP DELAY .26
.ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ
( )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔFX MUTE .27
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