Blackstar One Serie Manual Del Usuario página 6

16. Treble
The Treble control allows exact adjustment of the treble frequencies within the
sound. At low settings (counter clockwise) the sound will be warm and darker in
character. As the Treble control is increased (clockwise) the sound will become
brighter. At the maximum settings the sound will be aggressive and cutting.
17. ISF (Infinite Shape Feature)
The patented ISF control works in conjunction with
the Bass, Middle and Treble controls. It allows you
to choose the exact tonal signature you prefer.
Fully counter clockwise has a more American
characteristic with a tight bottom-end and more
aggressive middle, and fully clockwise has a British
characteristic which is more 'woody' and less
aggressive.
Unlike conventional 'contour' controls and parametric equalisation systems, the
Bass, Middle and Treble controls remain interactive with each other just like in a
traditional guitar amplifier tone stack. This leads to a very familiar, musical response.
Master
18. Resonance
The Resonance control sets the overall bass response of the S1-50. At lower
settings the cleans will be tight and funky and overdrives will be focussed in their
bass response. At increased settings the clean sounds will be become full and
warm, whilst the crunch and overdrive tones will be more bass heavy and resonant.
19. Presence
The Presence control sets the overall treble response of the S1-50. Percussive
high-end can be accentuated on clean sounds and the amount of aggressive treble
controlled with crunch and overdrive settings.
20. Volume
This controls the overall volume of your amplifier. Turning it clockwise increases
the volume.
21. DPR (Dynamic Power Reduction)
The patented DPR control allows the output power of the
S1-50 to be reduced anywhere from 50W (100%) down to 5W
(10%) of the rated power.
DPR works by controlling the power supply voltages to the
EL34 output valves and also the level of drive signal into the
power amplifier stage. Importantly, there are no components
placed in between the output valves, the output transformer
and the loudspeaker – a relationship which is essential in the
delivery of valve tone.
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USA UK
In addition to reducing the output power of the S1-50, the DPR system actually
controls the amount of power amplifier compression too. Power amplifier
compression is a key ingredient in the characteristics of low powered valve amplifier
tone and gives a very playable 'feel' to the S1-50 at reduced power settings.
We would recommend experimenting with the channel Gain and Volume, Master
Volume and DPR Control to achieve various combinations of preamplifier and
power amplifier distortion / compression.
Note: Generally speaking the more DPR is applied (i.e. power is reduced) the
more dynamic compression and power amp clipping will be experienced at any
given volume.
Clean DPR Operation
The DPR control is extremely powerful in fine-tuning the exact dynamic compression
characteristics of the power amplifier.
Channel Channel Channel Master DPR
Gain Volume Volume
Clean Low Mid Mid High
Clean Low High High Low
Clean High High High Low
Overdrive DPR Operation
The DPR control allows you to pin-point exactly how much valve overdrive you want
to come from the preamplifier section and how much is coming from the EL34s in
the power amplifier section.
Channel Channel Channel Master DPR
Gain Volume Volume
Crunch Low/Mid Mid Mid High
Crunch Mid High High Mid
Crunch High Mid Mid Low
Description/
Sound Character
Maximum pre and power amplifier
headroom yields extremely dynamic
clean sounds.
Increasing drive to the power amplifier
and reducing output power gives
a compressed clean sound rich in
power amplifier induced harmonics.
Higher channel gain further increases
the power amplifier drive producing
a 'full stack' crunch tone at only 5W
output power.
Description/
Sound Character
Lower gain settings provide a dynamic
crunch utilising the full 50W of
available headroom.
At these settings there is a blend
of the distortion and compression
generated in the preamplifier
and power amplifier valves. We
recommend that you experiment
to find your 'sweet-spot'.
Here maximum preamplifier gain is
combined with the lowest power
amplifier output for maximum valve
saturation.
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