Cameo CLMPARFOOT Manual De Usuario página 12

OPERATING THE CLMPARFOOT2:
Set the MULTI PAR LED lighting system to SLAVE mode and connect it to the foot pedal using the
included 5-pole XLR cable (10 metres).
STATIC COLOUR:
Press the MODE switch until the red LED lights up (colour mode). Afterwards, you can select the desired colour
with the UP/DOWN switches (press briefly).
MUSIC CONTROL:
Press the MODE switch until the green LED lights up (sound mode). Use the sensitivity knob on the rear panel
to control how strongly the built-in microphone reacts to sounds. Turning it to the right increases and turning it
to the left reduces the sensitivity. Afterwards, you can select the desired program with the UP/DOWN switches
(press briefly).
AUTOMATIC PROGRAM SEQUENCE:
Press the MODE switch until the yellow LED lights up. Afterwards, you can select the desired program with the
UP/DOWN switches (press briefly).
FULL ON:
All four lights of the MULTI PAR LED lighting system shine white light at full brightness.
Press the BLACKOUT/FULL ON switch for 2 seconds so that the controller automatically switches to the preset
"White" in the "Static colour" mode. Use the UP and DOWN switches (press briefly) to select a different colour or
press the MODE switch to change to a different operating mode.
BLACKOUT:
If you press the BLACKOUT/FULL ON switch briefly, all lights, including LIGHT 1 and 2, are switched off imme-
diately, regardless of what mode the system is currently in (in blackout mode, all four indicator LEDs of the
foot pedal are illuminated). If you press the BLACKOUT/FULL ON switch again briefly, the system runs in the
previously selected mode again.
LIGHT 1:
Pressing the switch longer (2 seconds) toggles the power socket LIGHT 1 on and off.
LIGHT 2:
Pressing the switch longer (2 seconds) toggles the power socket LIGHT 2 on and off.
SIGNAL ON/OFF SWITCH (rear panel):
Use this switch to switch the foot pedal on or off. In the "OFF" position, no signal is transmitted; all lights and
power sockets Light 1 / 2 are switched off.
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