PROEL M1622USB Manual De Uso página 61

‫. ﻳﺳﻣﺢ ﻫﺫﺍ ﺑﺗﻧﻅﻳﻡ ﺍﻹﺷﺎﺭﺓ ﺍﻟﺩﺍﺧﻠﺔ ﻣﻥ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻧﺎﺕ ﺃﻭ ﺍﻵﻻﺕ ﺍﻟﻣﻭﺳﻳﻘﻳﺔ ﻋﻠﻰ ﺍﻟﻣﺳﺗﻭﻯ‬LINE ‫ ﺃﻭ‬MIC ‫ ﺣﺳﺎﺳﻳﺔ ﺍﻟﻣﺩﺧﻝ ﻟـ‬GAIN ‫ﻳﻧﻅﺭ ﺍﻟﻛﺳﺏ‬
40 ‫ ﻓﺈﻥ ﻫﺫﻩ ﺍﻵﻻﺕ ﻟﺩﻳﻬﺎ 0 ﺩﻳﺳﻳﺑﻝ ﻣﻥ ﺍﻟﻛﺳﺏ ﻣﻊ ﺗﺷﻐﻳﻝ ﺍﻟﻣﻘﺑﺽ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﺩﻧﻰ، ﻭﺣﺗﻰ‬XLR ‫ﺍﻷﻣﺛﻝ ﺩﺍﺧﻝ ﺍﻟﺧﻼﻁ. ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻹﺷﺎﺭﺓ ﻣﺗﺻﻠﺔ ﺑﺩﺧﻝ‬
‫ﺩﻳﺳﻳﺑﻝ ﻣﻊ ﺍﻟﺗﺩﻭﻳﺭ ﺑﺎﺗﺟﺎﻩ ﺍﻟﺣﺩ ﺍﻷﻗﺻﻰ. ﻋﻧﺩ ﺍﻟﺗﻭﺻﻳﻝ ﻋﻠﻰ ﺩﺧﻝ ﺍﻟﻘﺎﺑﺱ ﻓﺈﻥ ﺗﻭﻫﻳﻥ ﻫﺫﻩ ﺍﻵﻻﺕ ﻳﺑﻠﻎ 02 ﺩﻳﻳﺳﺑﻝ ﺑﺗﺩﻭﻳﺭ ﺍﻟﻣﻘﺑﺽ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﺩﻧﻰ ﻭﻛﺳﺏ‬
.‫". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﻭﺿﻭﺡ" ﺍﻟﺻﻭﺕ‬PEAKING" ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﺑـ 3 ﻛﻳﻠﻭ ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ‬
.‫". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﻭﺟﻭﺩ" ﺍﻟﺻﻭﺕ‬PEAKING" ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﺑـ 005 ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ‬
‫، ﺃﻭ ﺧﻔﺽ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﻳﻣﻳﻧﺎ ﻭﻳﺳﺎﺭﺍ ﻓﻲ ﺣﺎﻟﺔ‬MONO ‫ﺍﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﻳﺳﺎﺭﺍ ﻭﻳﻣﻳﻧﺎ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺳﺗﺧﺩﻣﺔ ﻓﻲ‬
‫ ﺑـ 42 ﺑﺕ. ﻳﺷﻣﻝ 61 ﺇﻋﺩﺍﺩ ﻣﺳﺑﻖ‬AD/DA ‫ ﻗﻭﻱ ﻭﻋﻠﻰ ﻣﺣﻭﻻﺕ‬DSP ‫( ﻗﺎﺋﻡ ﻋﻠﻰ‬PROFEX digital effect processor) ‫ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ‬
‫؛‬preset ‫- ﺍﺿﻐﻁ ﻣﺟﺩﺩﺍ ﻟﻣﺩﺓ ﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﺗﻭﻗﻑ ﺍﻟﺷﺎﺷﺔ ﻋﻥ ﺍﻟﻭﻣﻳﺽ ﻟﺗﺄﻛﻳﺩ ﺍﻟﺗﻐﻳﻳﺭ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟﻰ ﺗﺣﺩﻳﺩ‬
‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻛﺛﻳﺭﺓ ﺑﺗﺭﺩﺩﺍﺕ‬BRIGHT HALL .1 ‫ﺹ‬
‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕ‬DARK HALL .2 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬BRIGHT ROOM .3 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬DARK ROOM .4 ‫ﺹ‬
.hall ‫ ﺃﻭ‬plate, spring ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.spring ‫ ﺃﻭ‬tape, hall ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬STEREO DELAY ‫ - ﻛـ‬STEREO TAP DELAY .9 ‫ﺹ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬eco mono‫ - ﺇﻥ‬MONO TAP DELAY .10 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ‬CHORUS .11 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲ‬FLANGER .12 ‫ﺹ‬
.‫ﻳﺑﻠﻎ 02 ﺩﻳﺳﻳﺑﻝ ﺇﺫﺍ ﺗﻡ ﺍﻟﺗﺩﻭﻳﺭ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﻗﺻﻰ، ﺑﻛﺳﺏ ﻣﻭﺣﺩ )0 ﺩﻳﺳﻳﺑﻝ( ﻋﻧﺩ ﺍﻟﻭﺿﻊ ﻓﻲ ﺍﻟﻣﻧﺗﺻﻑ‬
.‫، ﻭﻳﻌﺭﺽ ﻛﻝ ﻣﻧﻬﺎ 61 ﻣﺗﻐﻳﺭﺍ ﻣﻥ ﺍﻟﻣﻌﺎﻣﻼﺕ ﻹﺟﻣﺎﻟﻲ 652 ﺗﺄﺛﻳﺭﺍ ﻣﺗﻭﻓﺭﺍ‬studio-grade ‫ﺑﺧﻭﺍﺭﺯﻣﻳﺎﺕ ﺗﺄﺛﻳﺭ‬
.‫، ﺍﺿﻐﻁ ﻟﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﻭﻣﺽ ﺷﺎﺷﺔ ﺍﻟﻌﺭﺽ‬preset ‫- ﻟﺗﺣﺩﻳﺩ ﺗﻐﻳﻳﺭ‬
.‫( ﻟﻠﻘﻧﺎﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺿﺎﻓﺔ ﺍﻟﺗﺄﺛﻳﺭ ﺇﻟﻳﻬﺎ‬AUX (10 ‫- ﺃﺭﺳﻝ ﺇﺷﺎﺭﺓ ﺑﺎﻟﺗﺄﺛﻳﺭ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ‬
.‫( ﻟﺟﻣﻊ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﻣﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻁﺑﻳﻌﻳﺔ‬FX LEVEL (25 ‫- ﺍﺿﺑﻁ ﻣﺟﺩﺩﺍ ﺍﻟﻣﻘﺑﺽ‬
.‫، ﻭﺍﻟﺘﻐﻴﻴﺮ ﺍﻟﻤﺤﺪﺩ ﺃﻳﻀﺎ ﻓﻲ ﺣﺎﻟﺔ ﺇﻏﻼﻕ ﺍﻟﺨﻼﻁ‬preset ‫ ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓ‬PROFEX ‫ﻣﻼﺣﻈﺔ: ﻳﺤﻔﻆ‬
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝ‬VOCAL 1 (STAGE REVERB .5 ‫ﺹ‬
.‫" ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕ‬plate" ‫ - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲ‬PLATE .7 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰ‬STEREO DELAY .8 ‫ﺹ‬
.STEREO ‫ ﻻﺳﺗﺧﺩﺍﻡ ﻗﻧﺎﺓ ﻓﻲ ﻭﺿﻊ‬LINE L ‫ﻭﺟﻭﺩ ﻗﺎﺑﺱ‬
‫( ﺍﻟﻣﺭﺍﺩ ﺍﺳﺗﺧﺩﺍﻣﻪ؛‬preset) ‫- ﺃﺩﺭ ﻣﻔﺗﺎﺡ ﺍﻻﻧﺗﻘﺎء ﻻﺧﺗﻳﺎﺭ ﻧﻭﻉ ﺍﻟﺗﺄﺛﻳﺭ‬
.‫( ﺣﺗﻰ ﺗﺳﻣﻊ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL (25 ‫- ﻟﻑ ﺍﻟﻣﻘﺑﺽ‬
.(22) ‫ ﻟﻠﻘﻣﺔ‬LED ‫( ﻗﺑﻝ ﺗﺷﺑﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﻭﺿﺢ ﻋﻠﻰ‬AUX (10 ‫- ﺍﺿﺑﻁ ﺍﻟﺗﺣﻛﻡ‬
.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﻭﺍﻟﺟﻳﺗﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ ﻭﺍﻷﻭﺗﺎﺭ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱ‬VOCAL 2 (CLUB REVERB .6 ‫ﺹ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[2] ‫ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] 90% ‫( ﻣﻥ %5 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[16] 75% ‫( ﻣﻥ %0 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.‫ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ‬
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏ‬GAIN .26
(‫ )ﻣﻛﺎﻓﺊ ﺑﺗﺣﻛﻡ ﻣﺗﻭﺳﻁ- ﻋﺎﻝ‬EQ HI MID .27
(‫ )ﻣﻛﺎﻓﺊ ﺑﺗﺣﻛﻡ ﻣﺗﻭﺳﻁ - ﻋﺎﻝ‬EQ LO MID .28
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﺗﻭﺍﺯﻥ‬BAL .29
.STEREO ‫ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﻘﻧﺎﺓ ﻓﻲ ﻭﺿﻊ‬
(‫ )ﻣﻔﺗﺎﺡ ﺍﻧﺗﻘﺎء ﻭﻋﺭﺽ ﺍﻟﺗﺄﺛﻳﺭ‬PRESETS .30
:PROFEX ‫ﻛﻴﻔﻴﺔ ﺍﺳﺘﺨﺪﺍﻡ ﺗﺄﺛﻴﺮ‬
.‫- ﺛﻡ ﺃﺩﺭ ﺍﻟﻣﻘﺑﺽ ﻻﺧﺗﻳﺎﺭ ﻭﺍﺣﺩﺍ ﻣﻥ 61 ﺗﻐﻳﻳﺭﺍ‬
.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ‬
:preset ‫ﻭﺻﻒ‬
61