Tabla de contenido
Publicidad
18
SD16/SD8
SD16/SD8 Channel Management
SD16/SD8 Channel Management
Step 3: Channel
Signals are routed to and from the SD8/16 and a mixer or S16/DL16 via CAT-5e cable, with
(EN)
maximum cable runs up to 100 meters. The clock source is always received on AES50 port
Management
A, and the P-16 ULTRANET signals are carried on AES50-A channels 33-48. The 8 analog
outputs can carry AES50-A channels 1-8, 9-16, or 17-24, selectable via the 3-position
switch on the side of the stagebox.
Model
SD16
SD8
When chaining multiple SD8 or SD16 units, the signals from the second stagebox in the
chain are sent via AES50-A to the next stagebox's AES50 port B. The signals from the
second stagebox are shifted up by 8 or 16 channels when merged with the first stagebox
(see chart for details). The output select switch would typically be set to the '9-16'
position to allow different signals to be sent from the 2 stageboxes.
SD16 Channel Routing
To mixer
TX
A
1
2
3
4
5
6
TX
From mixer
RX
A
1
2
3
4
5
6
RX
Note - each row in the above tables represents a block of 8 AES50 channels.
44.1/48 kHz
Output Switch
XLR analog
P-16 Ultranet
Out
Out
Out
clock sync
out 1-8
1-8
9-16
17-24
= AES50-A,
AES50-A
x
ch01-ch08
= AES50-A,
= AES50-A,
AES50-A
x
ch09-ch16
ch33-ch48
= AES50-A,
AES50-A
x
ch17-ch24
RX
TX
B
A
SD16 -1- (Out 1-8)
SD16 -2- (Out 9-16)
Local In 1-8
1
1
Local In 1-8
Local In 9-16
2
2
Local In 9-16
3
3
4
4
5
5
6
6
RX
TX
TX
RX
SD16 -1- (Out 1-8)
B
A
SD16 -2- (Out 9-16)
XLR OUT 1-8
1
1
2
2
XLR OUT 1-8
3
3
4
4
P16 OUT 1-8
5
5
P16 OUT 1-8
P16 OUT 9-16
6
6
P16 OUT 9-16
TX
RX
19
Quick Start Guide
SD8 Channel Routing
To mixer
TX
A
SD8 -1- (Out 1-8)
1
Local In 1-8
2
3
4
out 1-16
5
6
TX
From mixer
RX
A
SD8 -1- (Out 1-8)
1
XLR OUT 1-8
2
3
4
5
P16 OUT 1-8
6
P16 OUT 9-16
RX
MIDI Control with S16/DL16
Though the SD-series stageboxes will commonly be used with an X32/M32 digital console, it is possible to incorporate these products
as part of a standalone digital snake. The SD8/16 head amp gain and phantom power settings can be remotely controlled via MIDI
when used standalone with a BEHRINGER S16 or MIDAS DL16 master unit.
RX
B
Note that the S16/DL16 will only accept MIDI preamp controls when its preamps are not controlled via AES50 already. Slave connection
1
to an X32/M32 console or another S16/DL16 in SN Master mode will inhibit MIDI preamp control. MIDI channel 1 controls the SN Master
2
unit's local preamps (transmit and receive), while MIDI channel 2 controls the Slave unit, which in this case would be the SD8/16.
3
4
5
S16/DL16 MIDI Chart
6
RX
"In 1-16" (FOH) SN MASTER or Ext Sync w/o AES50 preamp control
Local
CC #
80...95
TX
B
96...111
1
2
"St 1-16" (Stage) SN MASTER or Ext Sync w/o AES50 preamp control
3
Remote
CC #
4
5
80...95
6
TX
96...111
SLAVE or Ext Sync with AES50 preamp control
–
RX
TX
RX
B
A
SD8 -2- (Out 9-16)
B
1
1
Local In 1-8
1
2
2
2
3
3
3
4
4
4
5
5
5
6
6
6
RX
TX
RX
TX
RX
TX
B
A
SD8 -2- (Out 9-16)
B
1
1
1
2
2
XLR OUT 1-8
2
3
3
3
4
4
4
5
5
P16 OUT 1-8
5
6
6
P16 OUT 9-16
6
TX
RX
TX
Value
Channel
Description
Controls local head amps of master unit Gain In 1-16,
0...19
1
-2.5...+45 dB, 2.5 dB steps
0, 127
1
48V Phantom 1-16 on/off
Value
Channel
Description
Controls remote head amps of slave unit Gain In 1-16,
0...19
2
-2.5...+45 dB, 2.5 dB steps
0, 127
2
48V Phantom 1-16 on/off
No MIDI preamp control transmission or reception in
slave mode, when controlled by another S16/DL16 SN
Master or X32/M32 series console
Publicidad
Tabla de contenido
