In color photography, select white or highly re-
fl ective surfaces to bounce the light off . Otherwise,
your pictures will come out with an unnatural color
cast similar to that of the refl ecting surface.
When the distance between the fl ash head and re-
fl ective surfaces is long, use some A4-size white pa-
per to bounce the light off . Check that the bounced
light rightly illuminates the subject.
Lightproof white paper
When the subject has a mottled appearance with
the fl ash light, raise the tilting degree of the fl ash
head.
Illuminated subject
in a mottled tone
Depending on the lens' focal length and tilting de-
gree of the fl ash head, the bounced light may illumi-
nate the subject in a mottled tone.
Tilt the fl ash head 90º and take the shot.
Shooting with the fl ash
head tilted up 90º
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