Fender STAGE 1000 Instrucciones De Funcionamiento página 6

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Your new Stage™ 1000 / 1600 amplifier delivers world–class Fender
tone and world–standard Fender
• 160W output power @ 4 ohms (100W @ 8 ohms)å
• Seven Timbre filters for total tone control
• Digital Signal Processing
• Simultaneous use of Reverb and effects tone tools -
16 REVERB TYPES and 16 FX SELECTIONS
• Separate LEVEL and FX TIME/RATE controls
• Selectable Normal and Drive channels with independent volume
and tone controls
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A. INPUT - Plug-in connection for your guitar.
B. VOLUME - Adjusts the loudness of the Normal channel.
C. TREBLE / MIDDLE / BASS - Adjusts the high–, middle– and
low–frequency tone of the Normal channel.
D. CHANNEL SELECT -
OUT Normal channel {B–C}
IN Drive channels {E–J}
E. DRIVE 1 - Adjusts the distortion level of the Drive 1 channel.
F. VOLUME 1 - Adjusts the overall loudness of the Drive 1 channel.
G. DRIVE SELECT - Press
DRIVE SELECT.
OUT Drive 1 channel {E–F, J}
IN Drive 2 channel {H–I, J}
H. DRIVE 2 - Adjusts the distortion level of the Drive 2 channel.
I. VOLUME 2 - Adjusts the overall loudness of the Drive 2 channel.
J. TREBLE / MID / BASS - Adjusts the high–, middle– and
low–frequency tone of the Drive channels.
K. TIMBRE - Press repeatedly to select an amp character as indicated
by the LEDs. Your selection is stored and automatically activated for
each channel (Normal, Drive 1, Drive 2).
TIMBRE FILTERS: These pre-set Equalizer curves allow the
Dyna–Touch amps to create seven very different voices on each
channel. FLAT—Preamp and Power Amp signal without further
equalization. BRIGHT—Treble boost, especially effective for
brightening the tone of double–coil pickups. DARK—Treble cut,
especially effective for traditional Jazz tones with the Normal
channel. DEEP—Bass boost, especially effective for beefing up
the tone of single–coil pickups. SCOOP—A severe low–mid
scoop with bass boost designed for modern distortion tones.
SQUAWK—A strong mid peak reminiscent of a partially
depressed Wah–Wah pedal; great for distorted solos that need
to cut through the mix. ACOUSTIC—Simulates the sound of an
acoustic–electric guitar with extreme high treble boost and bass
boost; best with the Normal channel. Note: This much Timbre
flexibility requires that you use a little common sense!
possible to get "too much of a good thing," such as undesirable
treble harshness or bass boominess depending on your
particular guitar, playing style and knob settings.
L. TUNER - Activates the tuner and mutes audio output. Strike a
string and the top row of LEDs indicate the nearest note.
Sharp/flat notes are indicated by two LEDs; for example, A and
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0 0 0 0 0 0 / / 1 1 6 6 0 0 0 0
0 0 0 0 0 0 / / 1 1 6 6 0 0 0 0
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CHANNEL SELECT {D} in to activate
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® • Selectable Drive 1 and Drive 2 channels for two independently
adjustable distortion channels.
• Impedance balanced XLR LINE OUT jack
• PRE AMP OUT and POWER AMP IN jacks
• 4-button FOOTSWITCH (included) enables remote activation of: (1)
Channel Select, (2) Drive Select, (3) Effects, (4) Reverb
• Built in Tuner •
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B light up to indicate A sharp (B flat). The bottom row of LEDs
indicate fine tuning.
M. REVERB LEVEL - Adjusts the level of the active Reverb.
N. REVERB TYPE - Selects the active Reverb (see next page).
O. EFFECTS LEVEL - Adjusts the level of the active effect.
P. EFFECTS SELECT - Selects the active effect (see next page).
Q. TIME/RATE - Adjusts the interval length / modulation speed of
the active effect (see next page).
R. POWER SWITCH - Switches the amplifier on / off.
S. POWER CORD SOCKET - Connect the included
power cord in accordance with the voltage and
frequency ratings listed on the rear panel of your
amplifier.
T. PARALLEL SPEAKER OUTPUTS - Connect a single 8Ω
speaker (internal or external) to the MAIN SPKR jack. Connect
an additional 8Ω speaker (internal or external) to the EXT. SPKR
jack. 4Ω minimum total.
Speaker(s)
One 8Ω speaker
Two 8Ω speakers
U. LINE OUT - Connect this XLR output
jack to the input of sound reinforcement
or recording equipment.
V. PRE AMP OUT / POWER AMP IN -
Effects Loop - Connect PRE AMP OUT to an effects device input,
then connect the effects device output to PWR AMP IN.
Multiple Amps - Connect the primary unit's PRE AMP OUT to
the auxiliary unit's PWR AMP IN. The primary unit is used to
control all auxiliary units.
Recording or Reinforcement - Connect PRE AMP OUT to the
input jack of sound equipment.
Use TS (Tip-Sleeve) standard type plugs with these
jacks. The PRE AMP OUT signal includes onboard tone shaping
It is
and DSP effects processing.
W. FOOTSWITCH - Connect the 4-button Fender footswitch
(included) at this jack to enable remote switching of CHANNEL
SELECT, DRIVE SELECT, EFFECTS and REVERB.
plugged in, the footswitch buttons override the corresponding
front panel controls.
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ument amplifiers—since 1946 ument amplifiers—since 1946
Rear Panel
Use Load / Output
MAIN jack 8Ω / 100W
both jacks 4Ω / 160W
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