Behringer DIGITAL PRO MIXER DDM4000 Guia De Inicio Rapido página 17

Press the FULL FREQ push button to remove
(23)
any frequency cuts of the KILL EQ (22).
The CURVE knob lets you seamlessly adjust
(24)
the response of the crossfader.
The REVERSE function allows you to reverse
the configuration of the crossfader. This way
you can toggle between Channel A and B at
the flick of a switch.
REVERSE HOLD activates a permanent
(25)
Reverse function. The crossfader fades
between sides A and B in the reverse
direction. This means that A is now on the
right and B on the left side.
REVERSE TAP activates a momentary
(26)
Reverse function. This means that A and B are
interchanged as long as the TAP push button
is held down.
Press the BOUNCE TO MIDI CLK push button
(27)
to activate the bouncing. Once the push
button is pressed, the signal repeatedly jumps
from A to B and back again corresponding to
the interval pre-selected by using the BEAT
push buttons (28).
The BEAT push buttons let you determine the
(28)
Bounce rate, which can range between one
and 16 beats.
These LEDs indicate the number of beats you
(29)
have chosen.
The OUTPUT A knob controls the volume of
(30)
output A ((73)).
The BALANCE knob adjusts the stereo
(31)
panning of output A.
The OUTPUT B knob controls the volume of
(32)
output B ((74)).
The high-resolution, 22-segment
(33)
OUTPUT LEVEL meter indicates the level
of the output signal on OUTPUT A.
ULTRAMIZE ON/OFF push button:
(34)
The Ultramizer is an effect that enhances
the loudness and assertiveness by dynamic
compression. In Ultramizer Setup, you can
configure the Ultramizer.
The LOAD push button lets you load the user
(35)
settings of the entire mixer. The settings
that are active when the device is turned
off are loaded when the device is switched
back on again.
Connect the headphones to the PHONES jack
(36)
(1/4" TRS connector).
The OUTPUT knob controls the volume
(37)
of the head-phones.
The MIX knob adjusts the balance between
(38)
PFL signal and PGM signal (PFL = Pre Fader
Listening, fader independent pre-listening
of individual channels; PGM = Program,
Master signal). When the knob is turned
completely to the left, you only hear the
PFL signal, whereas when turned completely
to the right the Master signal is heard.
Between these two positions, you can adjust
the mix of both signals.
The PUNCH EQ function helps synchronize
(39)
two tracks. You can orient yourself to the
snare or the bass drum or both. Press the
SNARE or BASS push button to emphasize the
selected sound in the headphones.
When the SPLIT push button is pressed,
(40)
the PFL signal is heard in the left headphone
and the PGM signal is only heard in the
right headphone.
The graphic display shows BPM values,
(41)
effect names and effect parameters as well
as channel assignments. It also leads you
through Console Setup.
The FX ON push button activates the
(42)
effects unit.
Press the FX ASSIGN push button to assign
(43)
an effects unit to a signal source (push button
flashes). The possible input sources are listed
on the display. Select the preferred source by
turning and pressing the PARAMETER knob (45).
The DEPTH knob adjusts the effect intensity
(44)
(depth). For some effects, it also lets you
adjust the mix between the original signal
(dry) and the effect signal (wet).
Press the PARAM (eter) knob to select the
(45)
effect parameters. By turning the knob,
you can change the parameter shown on
the display.
Press SELECT/LOW to access the effects list
(46)
(on the display). Turn and press the knob (45)
to load a preset.
Press the PARAM/MID push button to access
(47)
the effect parameters. Turn the knob (45) to
change the parameter value.
Quick Start Guide
(48) Press DEFAULT/HIGH to restore a preset.
(49) Depending on the selected effect,
the BEAT push buttons can adjust time-
related parameters. However, the values
entered are not in milliseconds or similar units,
but in beats.
(50) To enter the tempo manually, tap this push
button (at least 2x) in the rhythm of the
music (TAP). By keeping the AUTO BPM/TAP
push button pressed a little longer (> 1 s),
the automatic tempo input (AUTO BPM)
is reactivated.
(51) Turn the CONSOLE SETUP knob to adjust
the tempo of the MIDI Clock (press and turn
simultaneously = coarse adjustment). A short
press on the knob confirms the entry made.
A long press on the knob lets you access Console
Setup.
(52) The MIDI START/STOP/ESC turns on the
MIDI Clock.
(53) The ADJUST push buttons let you transfer the
tempo of the BPM counter to the MIDI Clock.
(54) Press the INSERT push button to add the
sampler signal to the channel (Insert Mode).
If the push button is not activated, the sampler
is mixed to the selected channel (Mix Mode).
In both cases, playback is initiated with the
REC SOURCE push buttons. When the sampler
is routed to the crossfader, the LED of the
INSERT push button goes out.
(55) The VOLUME/MIX knob controls the volume of
the sampler (in Mix Mode) as well as the volume
balance between input signal and Sampler
(in Insert Mode).
(56) The REC SOURCE push buttons let you
select the channel for recording and playing
back samples.
(57) Press the PFL push button to listen in on the
sampler signal with the headphones.
(58) SAMPLE LENGTH adjusts the recording time
(1–16 beats or endless recording ∞).
(59) RECORD/IN lets you record to the Sampler.
Select a bank beforehand. By pressing the push
button a second time, the recording is stopped
(only in ∞ Mode).
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