Shure LEGENDARY PERFORMANCE PG42 Manual De Instrucciones página 9

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Microphone Techniques
APPLICATION
Vocals
Guitar & Bass
Amplifiers
General Rules for Use
Aim the microphone toward the desired sound source (such as the talker, singer, or instrument)
and away from unwanted sources.
Place the microphone as close as practical to the desired sound source.
Work close to the microphone for extra bass response.
Use only one microphone to pick up a single sound source.
Use the fewest number of microphones as practical.
Keep the distance between microphones at least three times the distance from each microphone
to its source.
Place microphones as far as possible from reflective surfaces.
Add a windscreen when using the microphone outdoors.
Avoid excessive handling to minimize pickup of mechanical noise and vibration.
Do not cover any part of the microphone grille with your hand, as this will adversely affect micro-
phone performance.
SUGGESTED MICROPHONE PLACEMENT
Lips less than 15 cm (6 in.) away or touching the
windscreen, on axis to microphone.
15 to 60 cm (6 in. to 2 ft.) away from mouth, just
above nose height.
20 to 60 cm (8 in. to 2 ft.) away from mouth,
slightly off to one side.
90 cm to 1.8 m (3 to 6 ft.) away.
2 5 cm (1 in.) from speaker, on-axis with center of
speaker cone.
2 5 cm (1 in.) from speaker, at edge of speaker
cone.
15 to 30 cm (6 to 12 in.) away from speaker and
on-axis with speaker cone.
60 to 90 cm (2 to 3 ft.) back from speaker, on-axis
with speaker cone.
TONE QUALITY
Robust sound, emphasized
bass, maximum isolation from
other sources.
Natural sound, reduced bass.
Natural sound, reduced bass
and minimal "s" sounds.
Thinner, distant sound; notice-
able levels of ambient noise.
Sharp attack; emphasized
bass.
Sharp attack; higher frequency
sound.
Medium attack; full, balanced
sound.
Softer attack; reduced bass.
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