Tabla de contenido
Publicidad
Idiomas disponibles
Idiomas disponibles
The Model 588SDX is a ball-type, dual-impedance, car-
dioid (unidirectional) dynamic microphone that provides
excellent voice reproduction. Its spherical grille is a very
effective wind and pop filter which is especially good
when used for closeup vocal miking. This microphone
is highly suited for speech or music pickup in schools,
churches, and meeting rooms. Its unidirectional polar
pattern greatly reduces feedback problems, permitting
operation closer than usual to loudspeakers without the
annoying squeal or howl caused by feedback.
The microphone is equipped with a lockable ON/OFF
switch and an internal impedance selection socket located
on the XLR connector for switching between high and low
impedance. A slip-in swivel adapter is supplied for the
convenience of stand-mounted use.
All manuals and user guides at all-guides.com
FEATURES
•
Controlled low-frequency response combined with a
smooth, high-frequency rise for clear and intelligible
voice pickup
•
Symmetrical cardioid pickup pattern minimizes
feedback
•
Effective built-in pop filter reduces undesirable wind
and breathe noise
•
Neodymium magnet for greater sensitivity and higher
signal-to-noise ratio output
•
Shock-mounted cartridge for quiet operation and low
stand/handling noise
•
Lockable ON/OFF switch
•
Dual impedance, selectable by internal socket
•
Break-resistant swivel adapter for stand-mounted use
•
Three-pin professional audio (XLR) connector
•
Tough, steel-mesh grille resists wear from constant
use and handling; die-cast handle
•
Shure quality, ruggedness and reliability
General Rules for Use
•
Aim the microphone toward the desired sound source
(such as the talker, singer, or instrument) and away
from unwanted sources.
•
Place the microphone as close as practical to the
desired sound source.
•
Work close to the microphone for extra bass response.
•
Use only one microphone to pick up a single sound
source.
•
Use the fewest number of microphones as practical.
•
Keep the distance between microphones at least three
times the distance from each microphone to its source.
•
Place microphones as far as possible from reflective
surfaces.
•
Add a windscreen when using the microphone
outdoors.
•
Avoid excessive handling to minimize pickup of
mechanical noise and vibration.
•
Do not cover any part of the microphone grille with
your hand, as this will adversely affect microphone
performance.
3
Publicidad
Tabla de contenido
