Speaker Connections - Peavey MP 600 Manual Del Usuario

SPEAKER CONNECTIONS

This section will help you locate the two speaker output jacks on the rear of your MP 600. Though
there are two output jacks, they are mono (parallel) and not stereo. (2 — 8 ohms speakers)
WARNING: NEVER ALLOW YOUR TOTAL SPEAKER IMPEDANCE TO DROP BELOW
THE INDICATED MINIMUM IMPEDANCE.
4. SPEAKER OUTPUTS
Two parallel 1/4" jacks are provided at the output of the power amplifier. Minimum speaker
impedance (minimum load) is 4 ohms.
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CHANNEL (1— 6) FEATURES
The following section describes Channels 1 — 6. Each of these input channels are identical. Some
features listed below can be found on Channel 7 as well.
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5. MIC INPUT
XLR balanced low impedance channel input optimized for a
microphone or other low impedance source. Pin 2 is the positive
input. This connector has +15V phantom power supply on pins 2
10
and 3 at all times. (Pin 1 is the ground reference.)
WARNING: SOME PRODUCTS, INCLUDING SOME WIRELESS
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MICROPHONE UNITS, CAN BE DAMAGED BY PHANTOM
POWER. CHECK THE OPERATING INSTRUCTIONS OF THE
PRODUCT YOU WISH TO CONNECT TO THE MIC INPUT
BEFORE CONNECTING. PHANTOM POWER DOESN'T
AFFECT LOW IMPEDANCE DYNAMIC MICROPHONES.
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6. LINE INPUT
1/4" unbalanced input that accepts line level sources equipped
with a 1/4" plug (TS). The two inputs (XLR and 1/4") cannot be
used simultaneously.
7
7. GAIN
Sets the level of the individual channel in the mix.
8. REVERB
6 Sets the level to internal reverb from channel and must be
used in conjunction with the master reverb level. It is post gain and
will be affected by the Gain adjustment (7). The Reverb control
also determines the level of signal sent to the Effects Output (14).
9. LOW EQ
A shelving type of active tone control that varies the bass
frequency levels ±15 dB at 100 Hz. It will add depth to thin signals,
or clean up muddy ones.
10. HIGH EQ
A shelving type of active tone control that varies the treble
frequency level ±15 dB at 10 kHz. It is designed to remove noise
or to add brilliance to the signal, depending on the quality of the
source.
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