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  • ESPAÑOL, página 62
MONO CHANNELS (MIC/LINE)
1
The mono channels offer balanced XLR connectors for low-impedance micro-
phones and other low-level equipment. In addition, there are 6.3 mm TRS jack
input connectors for microphones and line level equipment (e.g., synthesizers,
drum computers, effects processors, etc.). Synthesizer, Drum-Computer,
Effektprozessoren etc.) zur Verfügung.
Important: The MIC and LINE inputs cannot be used simultaneously on the
same channel.
+48V PHANTOM POWER
The XLR inputs on the mono channels provide +48V phantom power for
condenser microphones.
Important: Never connect a microphone without phantom power to the XLR
input when phantom power is on.
2
INPUT GAIN ADJUSTMENT
The input gain control has two different scales: one for microphones and one
so that the peak LED above the channel fader lights up only occasionally. If the
LED is on constantly, this can lead to distortion.
LOW CUT FILTER
3
reducing low-frequency noise such as mains hum or handling noises from
vocal microphones.
STEREO CHANNELS
4
The stereo channels are configured as stereo pairs with 6.3 mm TRS jack
input connectors. Mono signal sources should be connected to the left jack
input connector.
5
+4 dBu/-10 dBV SELECTION
The line inputs of the stereo channels have a button for selecting the input
devices, etc.). If you are uncertain which setting to use for the respectively
AUX SENDS
6
These 6.3 mm TRS sockets can be used to split the signal and send it additio-
nally to external effects processors or the like. In addition, these outputs can
be used as submix outputs.

CONTROL ELEMENTS:

1
2
3
4
5
6
MIC 1
BAL OR
UNBAL
LINE IN 1
+15dB
-25dB
LINE
0dB
40dB
MIC
LOW CUT
75Hz 18dB/Oct
LINE IN 19/20
LEFT(MONO)
RIGHT
+4dBu
-10dBV
AUX SENDS
1
2
PHONE
7

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