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ItsImagical conservatory acordeon Manual Del Usuario página 18

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‫اﻟﺘﺎﺑﻌﺔ‬
‫اﻟﻨﻮﺗﺎت‬
‫ﻋﻦ‬
‫ﻣﻨﻔﺼﻠﺔ‬
‫ﻣﺘﺘﺎﻟﻴﺘﻴﻦ‬
‫أﻧﻬﻤﺎ‬
‫ﻣﻦ‬
‫ﺑﺎﻟﺮﻏﻢ‬
‫واﻟﺒﺎز‬
‫اﻟﻬﺎرﻣﻮﻧﻴﻜﺎ‬
‫ﻋﺰف‬
‫أﺧﺬ‬
‫ﻋﻠﻰ‬
‫اﻷﻛﻮردﻳﻮن‬
3
‫ﻳﺘﻀﺢ‬
‫ﻫﻨﺎ‬
.
‫اﻟﺘﺎﻟﻲ‬
‫اﻟﺠﺪول‬
‫اﻟﻤﻔﺘﺎح‬
‫ﻋﻠﻰ‬
‫اﻟﻌﺰف‬
‫ﻳﻨﺒﻐﻲ‬
‫ﻓﻲ‬
‫اﻟﻤﻔﺘﺎح‬
‫ﻋﻠﻰ‬
‫اﻟﻌﺰف‬
‫أو‬
‫اﻟﺴﺤﺐ‬
‫ﺗﻌﻨﻲ‬
‫اﻟﺘﻲ‬
‫ﻟﻠﺮﻣﻮز‬
‫ﻻﺣﻈﺖ‬
‫وأﻛﻴﺪ‬
،‫ﻛﺎﻣﻞ‬
‫ﻣﻮﺳﻴﻘﻲ‬
‫اﻟﻨﻤﻂ‬
‫ﻫﺬا‬
‫ﻳﺘﻐﻴﺮ‬
،‫اﻟﺪاﺧﻠﻴﺔ‬
‫ﺗﺴﺘﻄﻴﻊ‬
‫وﺑﺎﻟﺘﺪرﻳﺐ‬
‫اﻟﺒﺴﻴﻄﺔ‬
‫ﺧﺸﻮﻧﺔ‬
‫ﻟﻠﺜﻤﺎﻧﻴﺎت‬
‫اﻷوﻟﻰ‬
‫اﻷوﻛﺘﺎﻓﻴﺎت‬
‫اﻟﻨﻮﺗﺔ‬
‫ﻣﺜﻞ‬
‫اﻟﺨﺎرج‬
‫ﻧﺤﻮ‬
‫ﻳﻤﻜﻦ‬
.
‫اﻟﻬﻮاء‬
‫وﺗﻤﺮﻳﺮ‬
،‫واﻟﺒﺎز‬
‫اﻟﺬي‬
‫رﻗﻢ‬
‫اﻟﻤﻔﺘﺎح‬
‫ﻳﺴﺎﻋﺪ‬
‫ﻓﻲ‬
‫اﻟﻤﺒﻴﻦ‬
‫اﻟﻨﺤﻮ‬
‫ﻋﻠﻰ‬
‫ﻓﻮق‬
‫اﻷﺳﻬﻢ‬
‫أﻧﻪ‬
‫ﺗﻌﻨﻲ‬
‫رج‬
‫اﻟﺨﺎ‬
‫ﻧﺤﻮ‬
‫ﻳﻨﺒﻐﻲ‬
‫أﻧﻪ‬
‫ﺗﻌﻨﻲ‬
‫اﻟﺪاﺧﻞ‬
‫ﻧﺤﻮ‬
‫اﻟﺸﻜﻞ‬
‫اﻟﻨﻮﺗﺔ‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﺤﺮﻛﺔ‬
‫اﻟﺸﻜﻞ‬
‫اﻟﻨﻮﺗﺔ‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﺤﺮﻛﺔ‬
‫ﻣﻨﺘﺒﻬﺎ‬
،‫أوﻛﺘﺎﻓﻴﺎت‬
‫ﺛﻤﺎﻧﻴﺎت‬
‫ﺳﻠﻢ‬
/
‫ﻗﻄﻌﺔ‬
‫ﺑﻌﺰف‬
‫اﻟﻤﻄﺎف‬
‫ﻧﻈﺮا‬
‫اﻷﻟﺴﻨﺔ‬
‫ﻟﻮﺿﻌﻴﺔ‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﻨﻮﺗﺎت‬
‫ﺑﻬﺬه‬
p.18
‫أﻛﺜﺮ‬
‫ﻫﻲ‬
‫اﻟﺜﺎﻧﻴﺔ‬
‫اﻷوﻛﺘﺎﻓﻴﺎت‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﻨﻮﺗﺔ‬
‫أن‬
‫ﺗ ُﻌﺰف‬
‫أﻧﻬﺎ‬
‫ﻋﻼوة‬
.
‫اﻷوﻛﺘﺎﻓﻴﺔ‬
‫اﻟﻬﺎرﻣﻮﻧﻴﻜﺎ‬
‫ﻋﻦ‬
‫ﻋﺒﺎرة‬
‫اﻟﻴﺴﺮى‬
‫اﻟﻮﻗﺖ‬
‫ﻓﻲ‬
،‫ﺗﺮاﻓﻘﻴﺔ‬
‫ﻣﻮﺳﻴﻘﺔ‬
!
‫ﺗﺘﻌﻠﻢ‬
‫ﺑﻴﻨﻤﺎ‬
‫ﻣﻦ‬
‫اﻟﺮﻣﻮز‬
‫ﺳﺘﺮى‬
‫اﻷﻛﻮردﻳﻮن‬
..
‫واﻟﻨﻮﺗﺎت‬
‫اﻟﺮﻣﻮز‬
‫ﺑﻴﻦ‬
‫اﻷﺳﻬﻢ‬
‫و‬
.
‫اﻷﻛﻮردﻳﻮن‬
‫ﺳﺤﺐ‬
.
‫اﻷﻛﻮردﻳﻮن‬
‫ﺿﻐﻂ‬
‫دو‬
DO
‫ري‬
RE
‫ﻣﻲ‬
MI
‫ﻓﺎ‬
FA
SOL
‫اﻟﻀﻐﻂ‬
‫اﻟﺴﺤﺐ‬
‫اﻟﻀﻐﻂ‬
‫اﻟﺴﺤﺐ‬
‫اﻟﻀﻐﻂ‬
‫دو‬
DO
‫ري‬
RE
‫ﻣﻲ‬
MI
‫ﻓﺎ‬
FA
SOL
‫اﻟﺴﺤﺐ‬
‫اﻟﻀﻐﻂ‬
‫اﻟﺴﺤﺐ‬
‫اﻟﻀﻐﻂ‬
‫اﻟﺴﺤﺐ‬
‫أول‬
‫ﻣﻦ‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﻨﻮﺗﺎت‬
‫ﺑﻚ‬
‫اﻧﺘﻬﻰ‬
‫أﻧﻪ‬
‫ﺳﺘﻼﺣﻆ‬
‫اﻟﻤﻮﺳﻴﻘﻴﺔ‬
‫اﻟﻨﻮﺗﺎت‬
‫ﻓﻲ‬
‫وﻧﻤﻂ‬
.
‫اﻟﺮاﺑﻊ‬
‫اﻟﻤﻔﺘﺎح‬
‫إﻟﻰ‬
‫اﻟﻮﺻﻮل‬
.
‫ﻋﺰﻓﻬﺎ‬
‫ﺗﻮد‬
‫اﻟﺘﻲ‬
‫اﻷﻏﺎﻧﻲ‬
‫اﻟﺜﻤﺎﻧﻴﺎت‬
:
‫اﻟﻤﻔﺎﺗﻴﺢ‬
‫وﺗﻤﺜﻠﻬﺎ‬
‫ﺣﻆ‬
‫ﻻ‬
‫اﻟﺜﻤﺎﻧﻴﺔ‬
‫ﻟﻨﻔﺲ‬
‫اﻟﻴﺪ‬
‫ﻣﻔﺎﺗﻴﺢ‬
‫ﺑﺎﻋﺘﺒﺎرﻫﻤﺎ‬
‫ﺳﺘﻜﺘﺸﻔﻪ‬
.
‫اﻟﻬﻮاء‬
‫ﺗﻤﺴﻚ‬
‫ﻋﻨﺪﻣﺎ‬
‫اﻟﺘﻮاﻓﻖ‬
‫أﻳﻀﺎ‬
‫ﻟﻚ‬
‫وﻗﺖ‬
‫ﻧﻔﺲ‬
‫ﻓﻲ‬
‫وﻗﺖ‬
‫ﻧﻔﺲ‬
‫ﺻﻮل‬
‫ﻻ‬
LA
‫ﺳﻲ‬
SI
‫اﻟﺴﺤﺐ‬
‫اﻟﻀﻐﻂ‬
‫ﺻﻮل‬
‫ﻻ‬
LA
‫ﺳﻲ‬
SI
‫اﻟﻀﻐﻂ‬
‫اﻟﺴﺤﺐ‬
3.
‫إﺑﺪأ ﺑﻌﺰف‬
‫اﻟﻀﻐﻂ‬
،‫رﻛﺰت‬
‫إذاﻣﺎ‬
‫ﺗﺘﺎﺑﻊ‬
‫وﺟﻮد‬
‫ﻋﻨﺪ‬
‫واﻟﺘﺘﺎﺑﻊ‬
‫ﺑﻌﺰف‬
‫ﺒﺪأ‬
‫ﺗ‬
‫أن‬

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