Mono Channels 1 - LD Systems VIBZ 24DC Manual De Usuario

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Unbalanced mono line outputs with 6.3 mm jack sockets to control an external effects device (POST Fader), or
an active stage monitor (PRE Fader).
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3-pin 6.3 mm jack sockets for inserting an external signal processing device (Compressor, Gate, etc.) in the
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corresponding channels 1 to 8. A special insert cable is required for the connection (Y-cable, 1 x stereo jack to
2 x mono jack or XLR). The assignment is as follows: TIP = Send, RING = Return, SLEEVE = Masse.

MONO CHANNELS 1 - 16

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Balanced inputs of the channels 1 to 16 with 3-pin XLR sockets for connecting microphones. A 48 V phantom
power supply is available for operating condenser microphones, and it can be switched centrally to the XLR
sockets (N° 3). Please set the Gain controller (N 18) to minimum (left stop) before connecting or
disconnecting a microphone; and switch on the phantom power only after connecting the microphone, or off
before disconnecting.
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Balanced inputs of the mono channels 1 to 16 with 6.3 mm jack to connect a source device with a line level.
Please set the Gain controller (N 18) to minimum (left stop) before connecting or disconnecting jack cables.
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Low cut filter for suppressing low-frequency signals. Especially with voice and singing transmissions, an
activated LOW CUT feature (switch in the down position) can reduce disruptive bass frequencies and thus
increase speech intelligibility. The cut-off frequency is 95 Hz.
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Using this pressure switch, the inputs of channels 1 to 4 can be switched separately to high impedance
(press switch down for activation). Thus, using instrument channels for guitars or basses is possible.
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Adjusting the gain of the microphone input from 0 to 50 dB, or the sensitivity of the line input from +15 dBu
to -35 dBu. Adjust the Gain controller so that the Clip LED of the corresponding channel only lights up briefly
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when signal peaks occur. Avoid the permanent lighting of the Clip LED by reducing the input gain or input
sensitivity.
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Sliding compressor controller for channels 1 to 8. Depending on the setting, the signal is more or less
compressed, i.e., the dynamics of the signal is restricted (controller to the left stop = compressor is disabled,
controller to the right stop = maximum compression). The level loss caused by the increasingly stronger
compression is automatically compensated by the compressor unit. The use of the compressor can provide
for an improved clarity of a singing voice in the mix.
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As soon as the compressor is active, the display LED lights up.
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Equalizer high band for channels 1 to 16 (12 kHz, +/-15 dB). When turned to the left, levels are lowered, when
turned to the right, they are raised. In the centre position (resting point), the equalizer is inactive.
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AUX SEND 1-4
INSERT CH1 - CH8
MIC CHANNEL 1-16
LINE IN CHANNEL 1-16
LOW CUT CHANNEL 1-16
HI-Z CHANNEL 1-4
GAIN CHANNEL 1-16
COMP CHANNEL 1-8
COMP LED
EQUALIZER HI CHANNEL 1-16
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