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16
DL16
6.2 Three-unit daisy chain in Standard mode
To achieve a higher input and output channel count on stage
up to three D
,
NOTE
Each DL16 will synchronize its conversion clock to the device connected to the AES50 A port
:
The AES50 A port channels 1
8 are routed by default to the XLR outputs
-
will be shifted accordingly
This option is useful when daisy
chaining stage boxes
.
-
channels 9
16 sent from the console via AES50 are available on the second DL16's XLR outputs
-
An example of a three
unit daisy chain is given below
48 analog inputs on stage are converted to digital and sent via a single Ethernet cable to the console
-
.
48 digital channels are sent back from the console to the three DL16 on stage via the same Ethernet cable
outputs on each DL16
.
Fig. 2: Three-unit setup with DL16s in Standard mode, Standard +8 and Standard +16
16 mic inputs
DL16 #3
(OUT +16)
16 mic inputs
DL16 #2
(OUT +8)
Console
16 mic inputs
DL16 #1
Table 7: Routing for a three-unit setup with DL16s in Standard mode, Standard +8 and Standard +16
DL16 #1
DL16 #2
DL16 #3
XLR inputs
XLR inputs
XLR inputs
1-8
9-16
1-8
9-16
1-8
1-8
9-16
17-24
DL16 #1 AES50 A out
(to console)
25-32
33-40
41-48
XLR OUT
1-8
1-8
ADAT OUT
DL16 #1
9-16
1-8
ULTRANET
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #2
9-16
1-8
ULTRANET
OUT
9-16
XLR OUT
1-8
1-8
ADAT OUT
DL16 #3
9-16
1-8
ULTRANET
OUT
9-16
16's can be daisy chained
:
.
unless the DL16 is working as word clock Master
,
If the
8 or
16 LEDs are active
the AES50 A channels routed to the XLR outputs
.
+
+
,
The second DL16 should be set to
8 and the third one to
16 so that the
.
+
+
and channels 17
24 are available on the third DL16's XLR outputs
,
-
24 of these channels are available via the 8 XLR
.
8 XLR outputs
(Ch. 17-24 from console)
8 XLR outputs
(Ch. 9-16 from console)
8 XLR outputs
(Ch. 1-8 from console)
DL16 #1 AES50 A in (from console)
9-16
1-8
9-16
17-24
25-32
33-40
41-48
+8
+16
+8
+16
+8
+16
6.3 Three-unit daisy chain in Standard mode with two consoles
A second console can be connected to the AES50 B port of the last daisy
channels 1
48 sent from Console A via AES50 to the DL16 chain
-
.
broadcast mixing
Note that Console B's inputs are dependent on Console A's output routing
.
NOTE
The console connected to the AES50 A port of the first DL16 controls the preamps' gain and phantom power settings
:
Fig. 3: Three-unit setup with two consoles and DL16s in Standard mode, Standard +8 and Standard +16
.
.
chained DL16
or to the single DL16 when only one is being used
-
(
This arrangement is useful
for example
when the second console is used for monitoring or
.
,
,
.
.
Console B
16 mic inputs
DL16 #3
(OUT +16)
16 mic inputs
DL16 #2
(OUT +8)
Console A
16 mic inputs
DL16 #1
17
Quick Start Guide
Console B receives
).
8 XLR outputs
(Ch. 17-24 from console A)
8 XLR outputs
(Ch. 9-16 from console A)
8 XLR outputs
(Ch. 1-8 from console A)
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