(En) Step 2: Controls - Behringer ODYSSEY Guia De Inicio Rapido

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18
ODYSSEY
ODYSSEY Controls

(EN) Step 2: Controls

(1) KEYBOARD – the keyboard has 37 semi-
weighted, full-size keys.
FX Section
(2) FX ON/OFF – engage or disengage the
Klark Teknik FX circuit.
(3) PARAMETER 1/2– press once to show the
first parameter of the current FX program.
Rotate the PROGRAM/VALUE knob to adjust
the parameter value. Press again to show the
second parameter.
(4) PARAMETER 3 (TAP)– press once to show
the third parameter of the current FX
program. Rotate the PROGRAM/VALUE knob
to adjust the parameter value. For TEMPO
parameters, you can also tap this switch at the
required tempo.
(5) FX DISPLAY– this LCD display shows the
current FX program, parameters 1 to 3, and
the values and units.
To adjust the display contrast, press and hold
PARAMETER 1/2 while tapping PARAMETER 3.
The display also shows the audio level bars
along the right edge. If the top "OL" overload
bar is lit, adjust the AUDIO MIXER fader(s)
or VCA fader to prevent overloading and
distortion.
(6) PROGRAM/VALUE– rotate this endless
push-encoder to select from 32 different FX
programs, then press the knob to load the FX
currently flashing in the display. This knob is
also used to adjust the value of the different
parameters of each FX after a PARAMETER
switch has been pressed.
(7) FX SEND– rotate to adjust the amount of FX
added, from minimum to maximum effect
(fully clockwise).
Controls Section
(8) TEMPO/GATE LENGTH – this controls the
sequencer and the arpeggio tempo. During
step editing, it also controls the GATE length,
and if SHIFT is held, it also adjusts the SWING.
(9) PORTAMENTO – adjust the amount of glide
time between notes on the keyboard. If the
recessed MODE switch is pressed, portamento
is enabled when using the TRANSPOSE switch;
if released, then portamento is disabled.
An optional footswitch can be used to engage
or disengage portamento.
PROPORTIONAL PITCH CONTROL – these
(10)
pressure-sensitive soft pads allow you to
adjust the pitch lower, or higher, or to add
LFO modulation. Press harder to increase
the effect.
TRANSPOSE – this 3-position switch allows
(11)
you to move the keyboard range up or down
2 octaves.
VCO-1 Section
FREQUENCY COARSE – adjust the frequency
(12)
of Voltage Controlled Oscillator 1 (VCO-1) with
a wide range of adjustment.
FREQUENCY-FINE – adjust the frequency of
(13)
VCO-1 with a fine range of adjustment.
AUDIO KYBD ON/LF KYBD OFF – In the top
(14)
position, the ODYSSEY and keyboard function
as normal. In the bottom position, VCO-1
is reduced to a low frequency, unaffected
by the keyboard. Adjust using the VCO-1
frequency faders.
FM FADER (LFO sine or square) – the fader
(15)
adjusts the level of FM modulation of VCO-1.
The switch selects between LFO sine or square
wave as the source of FM modulation.
FM FADER (S/H or ADSR) – the fader adjusts
(16)
the level of FM modulation of VCO-1. The
switch selects between S/H (Sample and
Hold) or the ADSR envelope as the source of
FM modulation.
PULSE WIDTH – adjust the pulse width of
(17)
VCO-1 from square (50%).
PULSE WIDTH MODULATION – the fader
(18)
adjusts the level of pulse width modulation
of VCO-1. The switch selects between LFO
sinewave or the ADSR envelope as the source
of pulse width modulation.
VCO-2 Section
FREQUENCY COARSE – adjust the frequency
(19)
of VCO-2 with a wide range of adjustment.
FREQUENCY-FINE – adjust the frequency of
(20)
VCO-2 with a fine range of adjustment.
SYNC ON/OFF – turn this on to allow VCO-2
(21)
to sync its frequency with VCO-1. (Turn this off
when using Ring Modulation.)
FM FADER (LFO sine or S/H mixer or pedal)
(22)
– the fader adjusts the level of FM modulation
of VCO-2. The switch selects between LFO
sinewave or the S/H Mixer or Pedal as the
source of FM modulation. An optional foot
pedal can be connected to the rear panel.
FM FADER (S/H or ADSR) – the fader adjusts
(23)
the level of FM modulation of VCO-2. The
switch selects between S/H or the ADSR
envelope as the source of FM modulation.
PULSE WIDTH – adjust the pulse width of
(24)
VCO-2 from square (50%).

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