Preset Voice List; Demonstration Song List - Schimmel TwinTone Pianos 5.01 Instrucciones Para El Uso

Preset Voice List

Voice name Assigned key Explanation
Piano C4 A sample taken from the Schimmel Pianos
concert grand piano. This voice offers a broad
range of expression, from a delicate pianissimo
to an intense fortissimo, and reproduces the
expansive feeling produced by the reverberation
of the strings when you use the damper pedal.
Harpsichord D4 This voice is often used in baroque music.
Volume and tone do not respond to changes in
touch. This voice also provides a realistic
reproduction of the sound produced when a
key is released on a real harpsichord.
Vibraphone E4 A vibraphone struck with relatively light
mallets.
Pipe organ F4 The magnificent pipe organ made famous by
Bach's "Toccata and Fugue".
Celesta G4 The keyboard-style glockenspiel renowned for
its appearances in works such as "The Dance of
the Sugar-Plum Fairy" from Tchaikovsky's
"Nutcracker Suite". Its delicate music-box like
sound is charming, and with a register one
octave higher than that of a piano, the celesta
allows you to enjoy the pleasures of the treble
register.
Strings A4 A string section, redolent with atmosphere.
This voice is very effective when used in dual
mode together with the piano voice.
Electric piano 1 C#4 An electric piano voice from an FM synthesizer,
of the kind often used in popular music. This
voice is also effective when used in dual mode
together with the piano voice.
Electric piano 2 D#4 A hammer-and-metal style piano voice, which
responds dynamically to the player's touch
from a soft tone when played gently to a lightly
distorted tone when played with more force.
This is used extensively in pop and jazz.
Jazz organ F#4 A rotary organ voice used widely in jazz and
rock.
Choir G#4 The sound of a choir singing in a large space.
This voice is also effective when used in dual
mode together with the piano voice.
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Variation
There is no variation setting for piano.
The left pedal provides a soft (shifted)
pedal effect.
Sound from strings an octave above
those you are playing is blended into
the overall mix, for a brighter, more
effusive sound.
A vibraphone with vibrato induced by
rotating fans.
A relaxed principal-style organ of the
type often used in church music from
the Baroque era.
Voice with a register adjusted to the
same as the piano.
This variation reduces the attack of the
sound slightly.
A chorus effect adds an increased
feeling of spaciousness to the sound.
Adds a phaser effect to the tone for an
increased feeling of spaciousness.
Press the left pedal to switch the speed
of the rotary speaker (vibrato) to high.
This variation reduces the attack of the
sound slightly.

Demonstration Song List

No. (Key) Title / Composer No. (Key) Title / Composer
1 (C0) Invention No. 1 / J. S. Bach 26 (C#2) Etude op. 10-12 "Revolutionary" / F. F. Chopin
2 (C#0) Invention No. 8 / J. S. Bach 27 (D2)
3 (D0) Gavotte / J. S. Bach 28 (D#2) Valse op. 64-2 / F. F. Chopin
4 (D#0) Prelude (Wohltemperierte Klavier I No. 1) / J. S. Bach 29 (E2)
5 (E0) Menuett G dur BWV. Anh. 114 / J. S. Bach 30 (F2)
6 (F0) Le Coucou / L-C. Daquin 31 (F#2)
7 (F#0) Piano Sonate No. 15 K. 545 1st mov. / W. A. Mozart 32 (G2)
8 (G0) Turkish March / W. A. Mozart 33 (G#2) La Prière d'une Vierge / T. Badarzewska
9 (G#0) Menuett G dur / W. A. Mozart 34 (A2)
10 (A0) Little Serenade / J. Haydn 35 (A#2) Arabesque / J. F. Burgmuller
11 (A#0) Perpetuum mobile / C. M. v. Weber 36 (B2)
12 (B0) Ecossaise / L. v. Beethoven 37 (C3)
13 (C1) Für Elise / L. v. Beethoven 38 (C#3) Liebesträume Nr. 3 / F. Liszt
14 (C#1) Marcia alla Turca / L. v. Beethoven 39 (D3)
15 (D1) Piano Sonate op. 13 "Pathétique" 2nd mov. / L. v. Beethoven 40 (D#3) Barcarolle / P. I. Tchaikovsky
16 (D#1) Piano Sonate op. 27-2 "Mondschein" 1st mov. / L. v. Beethoven 41 (E3)
17 (E1) Piano Sonate op. 49-2 1st mov. / L. v. Beethoven 42 (F3)
18 (F1) Impromptu op. 90-2 / F. P. Schubert 43 (F#3)
19 (F#1) Moments Musicaux op. 94-3 / F. P. Schubert 44 (G3)
20 (G1) Frühlingslied op. 62-6 / J. L. F. Mendelssohn 45 (G#3) Maple Leaf Rag / S. Joplin
21 (G#1) Jägerlied op. 19b-3 / J. L. F. Mendelssohn 46 (A3)
22 (A1) Fantaisie-Impromptu / F. F. Chopin 47 (A#3) Arabesque 1 / C. A. Debussy
23 (A#1) Prelude op. 28-15 "Raindrop" / F. F. Chopin 48 (B3)
24 (B1) Etude op. 10-5 "Black keys" / F. F. Chopin 49 (C4)
25 (C2) Etude op. 10-3 "Chanson de l'adieu" / F. F. Chopin 50 (C#4) Cakewalk / C. A. Debussy
C#0 D#0 F#0 G#0 A#0 C#1 D#1 F#1 G#1 A#1 C#2 D#2
C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C0 C1 C2 C3
A-1
C0~C # 4
After switching to the demonstration mode (page 19), hold down the A-1 key and press the key
corresponding to the number you want to select.
Valse op. 64-1 "Petit chien" / F. F. Chopin
Valse op. 69-1 "L'adieu" / F. F. Chopin
Nocturne op. 9-2 / F. F. Chopin
Träumerei / R. Schumann
Fröhlicher Landmann / R. Schumann
Dolly's Dreaming and Awakening / T. Oesten
Pastorale / J. F. Burgmuller
La chevaleresque / J. F. Burgmuller
Blumenlied / G. Lange
Melody in F / A. Rubinstein
Humoresque / A. Dvorak
Tango (España) / I. Albeniz
The Entertainer / S. Joplin
La Fille aux Cheveux de Lin / C. A. Debussy
Clair de lune / C. A. Debussy
Rêverie / C. A. Debussy
F#2 G#2 A#2 C#3 D#3 F#3 G#3 A#3 C#4
D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4
C4
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