Digital Signal Processor
Operating the DSP details menu
1 2 3
4 5 6
1 Front left speaker
2 Center speaker
3 Front right speaker
4 Rear left speaker
5 Subwoofer
6 Rear right speaker
% Press p and hold until SP Set appears
in the display, then press p to display the
DSP function names.
After SP Set is displayed, press p repeat-
edly, the following DSP functions appear in
the display:
SP Set (speaker setting)C.Over (cross-over
frequency)SP Lev (speaker output level)
T Tone (test tone)TA MODE (time align-
ment mode)Time A (time alignment adjust-
ment)AUTO EQ (auto-equalizer on/off)
PEQ (3-band parametric equalizer)
# When neither F/L nor F/R is selected in Posi,
you cannot switch to Time A.
# When neither CUSTOM1 nor CUSTOM2 is se-
lected as an equalizer curve, you cannot switch
to PEQ.
# To return to the display of each source, press
BAND.
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Using the sound field control
The SFC function creates the sensation of a
live performance.
! The acoustics of different performance en-
% Press SFC to select the desired SFC
mode.
Press SFC repeatedly to switch between the
following mode:
Musical (musical)Drama (drama)Action
(action)Jazz (jazz)Hall (hall)Club (club)
OFF (off)
If the source is a 2-channel LPCM audio or a 2-
channel Dolby Digital audio and you select SFC
effects that are most applicable for 5.1-channel
audio (i.e., Musical, Drama or Action), we re-
commend turning Dolby Pro Logic B on. On the
other hand, when selecting SFC effects that are
intended for use with 2-channel audio (i.e., Jazz,
Hall or Club), we recommend turning Dolby Pro
Logic B off.
vironments are not the same and depend
on the extent and contour of space through
which sound waves move and on how
sounds bounce off the stage, walls, floors
and ceilings. At a live performance you
hear music in three stages: direct sound,
early reflections, and late reflections, or re-
verberations. Those factors are programed
into the SFC circuitry to recreate the acous-
tics of various performance settings.
Note
Section
07
21
En