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On each band, you should notice an audible "sweep," like of like a wah-wah pedal opening up. Each of the
three bands will accentuate a different range of frequencies, and you can begin to correlate numbers with
certain sounds. Chances are that, with each section, you'll find a couple of positions that are either
pleasing or unpleasing to your ear. As you notice this, adjust the level control of that band to the desired
amount of cut or boost.
After finding a position on each control, activate the EQ DEFEAT switch (located on the Aural Enhancer
Control Knob) to compare. The more you do this, the more you should be able to relate frequency
numbers to their respective sounds. As you find different settings that you like, you may want to write
them down somewhere.
Here's a quick guide that will help you get off the ground in finding a certain kind of sound with the semi-
parametric EQ controls:
PROBLEM:
Not enough solid low end
Midrange is honky or hollow sounding
Treble is harsh and hurts the ear
Having trouble cutting through the band
Not enough presence, lackluster
Too much pick or finger noise
Need a more dynamic, "piano" sound
Try a few of the above examples. Then try doing just the opposite, just to hear both ends of the spectrum.
As always, there's only one final judge as to what's a "good" sound—your own ears. Experimentation is
encouraged.
SUGGESTED SETTINGS
Not sure where to start? Try any of these five Aural Enhancer + EQ settings we dialed in at the factory.
12 • BABY BABY BLUE
EQ SOLUTION:
Boost the 40-60Hz range
Cut the 600-1000Hz range
Cut the 1.5k to 2.5kHz range
Boost around 200Hz
Boost from 5kHz to 7.5kHz
Cut the 5KHz to 7.5KHz range
Cut 800Hz, boost 40 & 6kHz
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