Zoom G1 Manual De Instrucciones página 29

Bank Patch Name
Aggressive screaming sound modeled on the Peavey 5150. Pushing the pedal down shifts the pitch upwards by up to one
0
Scream Lead
octave, heightening the aggressive character even more.
A combination of Hiwatt Custom 100 simulation and Ensemble gives a spacious, beautiful sound with a clear presence. Great
1
Mercury
for cutting and arpeggio.
Bluesy drive sound that faithfully brings out picking nuances. Pushing the pedal down gives that hot drive feeling ideal for
2 Hot Blues
guitar solos.
3 Multi Phaser Clean sound with a dash of Phaser. Try it and lead your band with some groovy cutting.
Combination of Marshall 1959 and Auto Wah results in bold auto wah sound with a distinctive touch, great for a wide range of
4 Automat
extravagant effects.
A
5 Good Vibe Clean sound with a shimmering blend of Tremolo and Vibrato. Deep reverb creates a fantastic universe of sound.
Michael Schenker style half-closed wah pedal sound. By pushing the pedal down, you can get dynamic wah in the fashion of
6 Wah Lead
Zakk Wylde.
Flamboyant lead tone based on a combination of HPS (Harmonized Pitch Shifter) and Lead. Moving the pedal controls the HPS
7 Duet in G
mixing ratio.
Typical Flanger jet sound. Play the low-end strings, and make a jet plane take off from your amp. Experience the king of hard
8
Jetter
rock sounds.
Turn your guitar into an acoustic instrument at the touch of a key. Even if heavy rock is your thing, why not try that gorgeous
9 Aco.Sim
acoustic tone once in a while.
This sound is modeled on the Matchless foot type preamp. The supple tone with rich harmonics will make you want to go on
0 Hot Box
playing for ever.
This sound is modeled on the VOX AC30TBX. Class A drive ensures excellent response and yields a clean tone. That realistic
1
AC30TBX
feeling of chords pouring out of the speakers is hard to get with any other amp.
Many guitarists love the Peavey 5150 for its distinct and detailed distortion even at high gain. Power chords, speedy riffs,
2 5150
technical solos all will benefit from this high-gain sound.
Typical surf rock sound of the Fender TwinReverb ('65 model), with Tremolo and Reverb creating that pulsating tone. Ride the
3 TwinReverb
surf on a cascade of phrases.
4 ExtremeDS This original ZOOM creation features ultra-powerful distortion, for aggressive metal sound that will set your spirit on fire.
b
Simulation of the PROCO RAT famous for its edgy distortion sound. First made popular by Jeff Beck in the late seventies, this
5 RAT
effect is behind a lot of rock sounds out there. Powerful distortion that stays well defined.
This patch is modeled on the Fuzz Face that made rock history with its wild yet smooth sound. A favorite of many great
6
Fuzz Face
guitarists.
Simulation of the Boss OD-1 that produces natural, rich overdrive. Enjoy its great sound without having to pay a premium price
7 OD-1
for a vintage unit on the second-hand market.
Simulation of the Diezel Herbert amp that is creating a new standard for loud music. Make your sound hit as hard as never
8 DIEZEL
before.
This patch is modeled on the Mesa Boogie Mark III, an amp noted for its powerful midrange suitable for many genres.
9
MARKIII
Particularly good for playing fusion phrases on a hollow-body guitar.
The simple Marshall drive sound used by Jimmy Page of early Led Zeppelin. Use a Telecaster or Les Paul and recreate "Good
0 Page Crunch
Times Bad Times".
Jeff Beck's favorite drive tone with a one-octave lower component. Try it out and hear yourself irresistibly drawn towards
1 Beck Oct
playing "Led Boots".
This patch is modeled on "Crossroads" by the Cream which features one of the greatest rock solos ever. Ideal crunch tone for
2
Cream Drive
playing blues rock with a single-coil pickup or a humbucker.
From Pink Floyd's 1973 smash album Dark Side of The Moon, we have selected the song "Breathe". The fat Clean + Ensemble
3 Breathe
sound faithfully reproduces what David Gilmour did at the time.
4 Van Ampen Signature tone of Eddie Van Halen, the revolutionary of the guitar world. Use it to play phrases full of technical ideas.
C
Unique lead sound as created by Adrian Belew in his song "Big Electric Cat". The addition of high octaves to the original sound
5 Adrian
is the expression of a distinctive sonic outlook. This mysterious sound matches any guitar.
High gain sound as employed by Metallica's Kirk Hammett in the ending solo of their hit song "One". Shake your hair, get wild
6 Kirk Lead
and emotional, and let fly with your own performance.
7 Santana Passionate crunch sound played by Carlos Santana. Choking up with soul is what it's all about.
Nirvana's much missed genius, Kurt Cobain loved this clean sound with its interweaving modulation, as can be heard for
8 Kurt Clean
example on "Come As You Are".
The hot crunch sound of Billy F. Gibbons from the hard Boogie band ZZ Top. Sling your guitar low and try the patch for
9
ZZ Drive
intense backing or slide play.
This patch simulates the heavy drive sound of Rage Against The Machine guitarist Tom Morello. Operate the pedal to get that
0
Rage Riff
tricky "octave-up sound".
Straight rock sound as played by Angus Young of AC/DC. Combination of Marshall 1959 simulation and Delay produces a
1 Angus Lead
rugged tone that still blends well with an ensemble.
David Lindley, guitarist of the band El Rayo-X uses this clean chorus sound. Great for reggae rhythms or arpeggios. Lindley
2
El Rayo Clean
prefers lipstick type pickups, but this patch will also work fine with single-coils or humbuckers.
Vintage rock ballad sound a la Pearl Jam. Whether chord stroke with a stack amp or playing lead with front-mounted pickups,
3
Anthem
this tone will give a great match.
Clean sound with superb rock feel in the vein of Pete Townshend of the Who. It's bound to get you excited, but better not smash
4 Who Bleed
up your guitar and amps.
d
Steve
5 TOTO's super guitarist Steve Lukather is famous for this lead drive sound which is effective yet smooth.
Lukather
The Eagles guitarist Joe Walsh introduced this crunch sound characterized by prominent phaser in "Hotel California". Go for it
6
Joe Walsh
and recreate a seminal moment in rock.
Ping Pong Delay and Phaser produce a sparkling clean sound. Freely control the delay mix with the pedal. Try it with tension
7
MilkyWay
chords and arpeggios.
This patch simulates the sound of a dulcimer which is regarded as one of the ancestors of the piano. The pedal lets you adjust
8 Shimmer
the pitch shift mixing ratio.
Combination of Tremolo and Step creates a dramatic pulsating sound that makes even simple guitar phrases stand out from the
9
TremoStep
crowd. Freely tailor the Step Rate with the pedal, for enhanced effectiveness.
• The preset area of banks 0 - 3 contains the same patches as A - d.
• The ZNR value may need to be adjusted depending on the guitar and amplifier.
G1/G1X Patch List
Comment
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective
owners. These names as well as artist's names are used only to illustrate sonic characteristics and do not indicate any affiliation
with ZOOM CORPORATION.
Main effect Pedal Assign
PV Drive Pitch Bend
HW Clean VOLUME
US Blues DRIVE GAIN
Phaser Phaser Rate
Auto Wah VOLUME
Vibrato DELAY Mix
Guv'nor Vox Wah
Lead HPS Mix
Flanger VOLUME
Aco.Sim VOLUME
Hot Box VOLUME
VX Clean VOLUME
PV Drive VOLUME
FD Clean VOLUME
ExtremeDS VOLUME
RAT VOLUME
Fuzz Face VOLUME
Overdrive VOLUME
DZ Drive VOLUME
BG Crunch VOLUME
MS #1959 VOLUME
Mono Pitch VOLUME
Hot Box VOLUME
Ensemble VOLUME
PV Drive VOLUME
Slow Attack VOLUME
ExtremeDS VOLUME
BG Crunch VOLUME
Chorus VOLUME
BG Crunch VOLUME
BG Drive Pitch Bend
MS #1959 VOLUME
FD Clean VOLUME
MS #1959 VOLUME
HW Clean VOLUME
Pitch Shift VOLUME
Phaser VOLUME
Phaser DELAY Mix
Pitch Shift Pitch Shift
Step Step Rate
G1/G1X-PatchList-E-1