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No. Patch name
A0
Based on the ultimate rock bass amp, the AMPEG SVT, this sound is great both for finger playing and when using a pick.
ROCK
PHASER
A1
Phaser sound lets you embellish your slap playing with modulation effects.
SLAP
No Holds
A2
All-rounder distortion sound is great for chord or lead playing. Turn on pedal wah, flanger, and echo for even more excitement.
Barred
A3
Traditional-style auto wah with many applications. Transform percussive play with ghost notes straight into a funky sound.
AUTO WAH
A4
Progressive rock sound, taking a hint from Yes bassist Chris Squire.
Yes!
Miller's
A5
Marcus Miller type slap sound. Typically deep SWR bass amplifier sound is complemented by glossy highs.
Crossing
A6
Sublime
Sub bass sound such as used for Techno, Electronica, and Drum'n Bass. Experience a sine wave so low it seems to hug the ground.
Enchanting tremolo sound with reverb creates a dreamy backdrop or enhances a moody solo.
A7
Tremolo
A8
Fretless bass sound using the defret effect. Add a slide to a phrase and turn your instrument into a fretless bass.
No Worries
STEP SYNTH
A9
Collaboration of synth and step may surprise at first, but will show its potential when played with long tones.
DELAY
B0
Combines the all-tube SVT from AMPEG with an 810E cabinet. Experience that gutsy tube amp sound.
SVT
B1
SWR sound modeled on a SM-900 head amp combined with the Goliath cabinet. Rich low range and clear highs are bound to impress.
SWR
Simulation of MARSHALL 1992 SuperBass head amp combined with 1935A cabinet, tailored into Marshall style drive-
SUPER
B2
oriented sound.
BASS
Simulation of TRACE ELLIOT head amp AH-500 combined with two cabinets (1048H & 1518), producing the typical
B3
TRACE
midrange character of British rock.
Simulates the Fender Bassman 100 used by Paul McCartney. Enjoy that special Beatles sound with Rickenbacker or Hofner
B4
BASSMAN
basses.
B5
Simulation of ACOUSTIC 360 head amp combined with 301 cabinet, characterized by a tight midrange.
ACOUSTIC
Simulation of HARTKE HA3500 head amp combined with aluminum-cone cabinet 4.5XL. Note the characteristically
B6
HARTKE
straightforward punch of aluminum.
B7
Simulates a high-class tube preamplifier such as used in recording studios. The fat and supple sound fits every genre.
TUBE
B8
Simulates the lightly distorted sound of the SANSAMP BASSDRIVER DI, beloved by many bass players.
SANSAMP
TUBE
Simulation of the Tube Screamer used by many guitarists as a booster. Get that cool overdrive sound, whether picking or fingering.
B9
SCREAMER
Simulates the MXR BASS D.I. + distortion channel. A gutsy low end plus the right amount of original sound creates distortion
C0
MXR
with a solid core.
Simulates the ODB-3 overdrive bass machine from Boss. Proper mixing of original sound gives fat overdrive without losing
C1
ODB
bass response.
Simulates the Fuzz Face famous for its unique look. Push down the pedal to get wildly distorted fuzz sound, great for those
PEDAL
C2
FUZZ FACE
aggressive bass lines.
C3
Chorus sound often used by Jaco Pastorius in the late seventies. Lets you play his "Slang" loop solos with hold delay.
Slang
Rock style sound as personified by Flea of the Red Hot Chili Peppers. Use a StingRay or Modulus bass and whip up some slap
C4
Slapstick
bass action.
C5
Bootsy Collins sound using auto wah. Dress up in a fancy costume, wear star-shaped sunglasses, and let it rip!
BootSea
C6
Motown sound made famous by James Jamerson. Sixties Motown comes alive again.
Mo'Soul
C7
Simulates the sound of a HARTKE HA3500 with 4.5XL that became the Will Lee trademark.
Heavy Comp
Simulation of distortion sound suitable for Tony Levin style lead play. Turn pedal wah on by using the built-in expression
C8
Leadist
pedal and create highly effective wah sound.
Emulate the midrange-oriented fingering work of artists such as Me'Shell Ndegeocello or Jeff Berlin. Styled as a tube
In Your
C9
preamplifier sound.
Fingers
Groovin'
D0
Designed to sound like Sting when he was playing with The Police. Fairly traditional approach covers a wide variety of genres.
With Vinny
D1
Blues sound from the days of Muddy Waters. The range is low-fi, but the impact is powerful.
Little Muddy
D2
PAD type synth bass sound. Great for lead bass and for programing sound during live play.
Synth Bass
D3
Stream
Flanging sound for those smooth and flowing phrases, supported by a solid backbone.
Classic sub-octaver sound created by Pino Palladino.
D4
-12 Below
A Major
D5
Harmonized pitch shifter sound in A major key. Good for bass solos.
Harmony
Dark Side/
D6
Combination patch of fuzz and octaver. Heavy sound lets you lay down the rhythm with wild picking or play a strong lead.
Octave
Straightforward but addictive sound for pop and rock. A slight dash of room reverb is the secret ingredient.
D7
Pop Style
D8
Stereo chorus and delay in the style of Michael Manring. Control hold delay with a foot switch to play loop solos.
ManTap
Modeled on the typical slap style of Primus frontman Les Claypool, this sound combines TS9 and resonance filter. Use it to
Les
D9
Thumbs
create your very own style.
• The preset area of banks 0 - 3 contains the same patches as A - d.
• The ZNR value may need to be adjusted depending on the bass guitar and amplifier.
• In play mode, parameter knob 1 can be used to adjust the CABINET parameter of the DRIVE/
SYNTH module. Higher values result in stronger cabinet character.
• When using a bass amplifier, selecting the flat EQ setting is recommended.
B2.1u Patch List
Description
Manufacturer names and product names mentioned in this
patch list are trademarks or registered trademarks of their
respective owners. These names as well as artist's names are
used only to illustrate sonic characteristics and do not indicate
any affiliation with ZOOM CORPORATION.
Main effect Pedal setting
AMPEG
VOLUME
PHASER
PHASER
RATE
FLANGER
ODB-3
RATE (OFF)
AUTO WAH
AUTO WAH
SENSE
CHORUS &
ECHO MIX
ECHO
SWR
DELAY MIX
MONO SYN
PHASER
& PHASER
RATE
TREMOLO
TREMOLO
RATE
DEFRET
ROOM MIX
MONO SYN
STEP RATE
& STEP
AMPEG
VOLUME
SWR
VOLUME
SUPER
VOLUME
BASS
TRACE
VOLUME
ELLIOT
BASSMAN
VOLUME
ACOUSTIC
VOLUME
HARTKE
VOLUME
TUBE PRE
VOLUME
SANSAMP
DRIVE MIX
TS9
DRIVE MIX
PEDAL
MXR BASS
PITCH 2oct
D.I.+
DOWN
ODB-3
DRIVE MIX
FUZZ FACE
DRIVE MIX
CHORUS &
ROOM MIX
ACOUSTIC
AMPEG
ROOM MIX
AUTO WAH
PITCH SHIFTER
& PITCH
BALANCE
TUBE PRE
VOLUME
COMP &
DELAY MIX
HARTKE
(OFF)
SUPER
PEDAL WAH
BASS
(OFF)
TUBE PRE
ROOM MIX
TUBE PRE
ROOM MIX
SANSAMP
VOLUME
MONO SYN
DRIVE MIX
FLANGER
FLANGER
RATE
OCTAVE
OCTAVE
LEVEL
HARMONIZED
PITCH
HPS MIX
SHIFTER
FUZZ FACE
OCTAVE
& OCTAVE
LEVEL
BASSMAN
ROOM MIX
PINGPONG-
VOLUME
DELAY & HALL
AUTO
RESONANCE
DRIVE MIX
FILTER
B2.1u PATCHLIST 1.0
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