Retrologue
Synth Page
Quick Control
Note Expression
Noise
Bus 1–16
Offset
Allows you to specify an additional offset on the output of the modulation source.
Modifier
All modulation sources can also be used as modifiers. A modifier is used to scale
the output of the modulation source. A typical example is an LFO as a source and
the modulation wheel as the modifier. This allows you to control the intensity of the
LFO modulation using the wheel.
Depth
Adjusts the intensity of the modulation.
Modulation Destinations
Pitch
Cutoff
In addition, you can select the 8 global MIDI controllers Contr. A-Contr. H that
can be used as placeholders in the modulation matrix. These controllers allow
you to remap specific MIDI controllers to the placeholder controllers, for
example, using the CC Mapper. This way, you can use the global controllers
in several places, and set up the assignment only once.
The quick controls can be used as modulation signal. You can select the quick
control from the corresponding submenu.
This submenu lists the 8 Note Expression parameters that can be used as
modulation signals.
Produces a random modulation signal. This modulation source is bipolar.
Modulations that are sent to one of the 16 busses can be reused as sources.
This way, you can combine several modulations to produce more complex
signals. Select a modulation bus to assign it as source.
Modulates the pitch. For example, assign one of the LFOs to create a vibrato
effect. If Pitch is selected, the modulation depth is set in semitones (-60 to
+60).
Modulates the filter cutoff.
For example, to create rhythmic patterns in the spectral timbre, assign the
Step Modulator.
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