A
A
PLL FILTER switch
You can change between MODE 1 and MODE 2 when using
a master clock from an external source connected to the
WORD SYNC IN connector. Usually you should use MODE 1,
but note the following:
< In MODE 2, the PLL filter cutoff frequency is approximately
ten times that of MODE 1. Jitter is almost completely
eliminated. When you want a highly synchronized signal,
select MODE 2.
< MODE 2 takes significantly longer to achieve lock status
compared with MODE 1.
B
WORD SYNC terminals
Connect a word clock synchronization signal to the IN
terminal from another unit, such as a D/A converter, if
required. The THRU terminal (auto-terminated) echoes the
word sync signal received at the IN terminal.
C
DIGITAL OUT (Fs44.1kHz)
When the switch is ON, 44.1 kHz digital audio is output from
the two optical and single coaxial (RCA) terminals.
D
DIGITAL OUT (Fs44.1-88.2kHz)
When the switch is ON, digital audio at 44.1 kHz or 88.2 kHz
is output from the single optical and single coaxial (RCA)
terminals.
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B
C
D
F
G
E
DIGITAL OUT (Fs44.1-88.2kHz)
When these switches are ON, digital audio at 44.1 kHz or
88.2 kHz is output from the balanced XLR connectors.
< If the playback sampling frequency is 176.4 kHz, the right
channel is output from XLR1 [R] and the left channel from
XLR2 [L].
F
SIGNAL GND
You may use a standard PVC-covered electrical cable to
connect the ground of the D/A converter to this terminal,
and thereby improve the sound quality.
G
Power supply
Use the power cord included with the player.
A note on the digital output terminals
< If you are using the frequency conversion function, use
either the
or
terminal.
D
E
< When making a digital recording using a unit connected to
the
or
terminals, the track numbers and divisions, etc.
D
E
may not be recorded correctly. In this case you should
output the signal to be recorded from the
< Always set the switches of unused terminals to OFF.
E
terminal.
C
7