Tabla de contenido
Publicidad
[LINE&FREQ]
[REC FORMAT]
[DVCPRO50/50i]
[576-50i]
[DVCPRO/50i]
[DV/50i]
[LINE&FREQ]
[REC FORMAT]
[AVC-I100/60P]
[AVC-I100/30PN]
[1080-59.94P]
[AVC-I100/24PN]
[AVC-G25/60P]
[AVC-G12/60P]
[AVC-I100/50P]
[AVC-I100/25PN]
[1080-50P]
[AVC-G25/50P]
[AVC-G12/50P]
[AVC-I100/60i]
[AVC-I50/60i]
[AVC-G50/60i]
[1080-59.94i]
[AVC-G25/60i]
[AVC-G12/60i]
[DVCPRO HD/60i]
[AVC-I100/50i]
[AVC-I50/50i]
[AVC-G50/50i]
[1080-50i]
[AVC-G25/50i]
[AVC-G12/50i]
[DVCPRO HD/50i]
[AVC-I100/60P]
[AVC-I50/60P]
[AVC-G50/60P]
[720-59.94P]
[AVC-G25/60P]
[AVC-G12/60P]
[DVCPRO HD/60P]
[AVC-I100/50P]
[AVC-I50/50P]
[AVC-G50/50P]
[720-50P]
[AVC-G25/50P]
[AVC-G12/50P]
[DVCPRO HD/50P]
[DVCPRO50/60i]
[480-59.94i]
[DVCPRO/60i]
[DV/60i]
[DVCPRO50/50i]
[576-50i]
[DVCPRO/50i]
[DV/50i]
*1
[AVC-G6 2CH MOV]
*2
[SHQ 2CH MOV], [HQ 2CH MOV], [LOW 2CH MOV]
Capítulo 4 Filmación — Formatos múltiples
Modo del sistema
[CAMERA MODE]
[50i]
[25P]
[50i]
[25P]
[50i]
[25P]
Modo del sistema
[CAMERA MODE]
—
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[60i]
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—
[50i]
—
—
—
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—
—
—
—
—
—
—
—
[60i]
[30P]
[60i]
[30P]
[60i]
[30P]
[50i]
[25P]
[50i]
[25P]
[50i]
[25P]
Grabación de una
[AUDIO SMPL RES]
toma
l
—
l
[16BIT]
—
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—
Grabación
[AUDIO SMPL RES]
simultánea
—
[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
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[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
—
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[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
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[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
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[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
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[24BIT]/[16BIT]
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[24BIT]
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[16BIT]
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[16BIT]
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[16BIT]
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– 77 –
Función de grabación
Grabación de un
Grabación de bucle
clip
l
—
l
—
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—
Función de grabación
Grabación de doble códec
HD proxy*
SD proxy*
1
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