AUXILIARY INPUT (9)
An input to the main mixing bus for patching in returns from effects devices, extra mixing channels etc. Using
this jack defeats both the Tape In jacks.
POWER AMP INPUT (10)
Use to connect line level signal to the power amplifier.
LEVEL (11)
Controls the output signal level. Maximum output level is obtained by rotating this control fully clockwise.
MONITOR (12)
Determines the channel's monitor mix level and is independent of all other channel controls.
LOW EQ (13)
An active tone control (shelving type, ±15 dB) that varies the low frequency range.
CAUTION: Excessive low frequency boost causes greater power consumption and increases possibility of
speaker damage.
MID EQ (14)
An active tone control (peak/notch, ±12 dB) that adjusts the mid frequency range.
HIGH EQ CONTROL (15)
An active tone control (shelving type, ±15 dB) that varies the high frequency range.
EFFECTS SEND (16)
Sets the channel reverb drive level. When an effects device is connected in the effects patch loop, this control
determines the channel signal level available to drive the external effects device. Works together with the master
effects and reverb controls.
PHANTOM POWER ON/OFF (17)
This switch selects Phantom Power "on" or "off' for all channels.
MASTER GAIN (18)
Controls the overall volume level of the system.
MASTER MONITOR (19)
Controls the overall monitor mix level.
EFFECTS MASTER (20)
Determines the effects level supplied to the internal reverb and the Effects Out jack.
REVERB TO MAIN (21)
Reverberation is an echo effect. Rotate clockwise to increase the effect. Optional remote footswitch can con¬
trol on/off.
REVERB TO MONITOR (22)
Allows the reverb effect to be assigned to Monitor.
TAPE OUT LEVEL (23)
Controls the signal level at the Tape Out jacks. Operation is independent of the Main Master level and the
graphic equalizer.