Master Section - Peavey XR 600F Manual Del Propietário

CHANNELS 5-6
10. LINE INPUTS (Dual Summed): 1/4" unbalanced inputs for line level signals.
Ideal for stereo outputs from midi sound modules and/or stereo audio equipment,
this input sums (mixes) two inputs (L/R) into one. However, it is not limited to
stereo combining. It is possible to insert the outputs of two keyboards into these
jacks, thus mixing them into one combined signal. In this case, balance of the two
signals would be controlled by the keyboard's level control. This signal is
connected through a 25 dB pad to the mic input below it. Use of the mic input
allows channels 5 and 6 to duplicate channels 1-4.
CHANNEL 7
11. TAPE/LINE IN: This stereo RCA phono jack accepts a stereo input
(nominally -10 dBV) from the output of a tape deck or CD player and sums the
Left and Right channels into a mono signal found in the Main Mix and Monitor
Mix. These jacks can also be used as line inputs such as those found on
channels 5 and 6.
12. TAPE OUT: This stereo RCA phono jack provides a signal for the recording
inputs of a stereo tape deck.
CAUTION: DO NOT HOOK THE TAPE IN AND TAPE OUT TO THE INPUT AND
OUTPUT OF THE SAME DECK. DOING SO WILL FORM A LOOP
CAUSING SEVERE FEEDBACK. USE SEPERATE DECKS FOR
RECORDING AND PLAYBACK.
13
14

MASTER SECTION:

13. EFFECTS PEAK LED: Illuminates to indicate -6 dB of headroom before the
signals being sent to the effects circuit are clipped. Ideally, you would want this
LED to light only occassionally if at all. An occassional blink indicates that you
have the levels at an optimum setting. It is advisable to listen carefully to the
output at the same time in order to determine the final setting.
14. REVERB/DELAY SWITCH: Selects the type of effect; Reverb or Delay.
15. SIZE/TIME: This control adjusts the time of the reverb or delay.
16. COLOR/FEEDBACK: Adjusts the high-frequency content of the effects
signal. (While using the delay this control adjusts the feedback or depth.)
17. EFX TO MON: Controls the amount of effects signal sent to the monitor
mix. This control allows effects to be heard from the stage via the monitor.
18. EFX TO MAIN: Controls the amount of effects signal sent to the main mix.
16
15
17 18
10
11
12