Outputting The Microphone And Aux Sound Directly; Using The Effect Function; Types Of Effects - Pioneer DDJ-S1 Manual De Instrucciones

3 Press the [AREA MOVE (REC)] button while pressing
the [SHIFT] button.
Recording starts.
The [AREA MOVE (REC)] button flashes.
4 Press the [AREA MOVE (REC)] button while pressing
the [SHIFT] button.
The [AREA MOVE (REC)] button turns off and recording stops.
5 Operate the computer to input the filename.
6 Press the [LOAD PREPARE (SAVE)] button while
pressing the [SHIFT] button.
The recorded sound is saved.
! If no filename is input, a file with the name "Serato Recording
<serial no.>" is created.
! Recorded data is stored in the following directory.
Windows: My Music > _Serato_ > Recording
Macintosh: Music > _Serato_ > Recording
Outputting the microphone and
AUX sound directly
When the [MIC/AUX THRU] selector switch is set to [ON], the audio
signals of the connected external device and microphone are output
directly without passing through the computer. Normally use with the
switch set to [OFF].
1 Set the [MIC/AUX THRU] selector switch to [ON].
2 Input audio signals to the microphone or output
audio signals from the external device.
! No effect is applied to the connected microphone and auxiliary
equipment when the [MIC/AUX THRU] selector switch is set to
[ON].

Using the effect function

This function lets you instantaneously set various effects according to
the tempo (BPM = Beats Per Minute) of the currently playing track.
The effect is applied to the selected channel.
1 Turn the [FX CH SELECT] control.
This selects the channel to which the effect is applied.
2 Turn the [EFFECT SELECT] control.
This selects the type of effect.
For the types of effects, see Types of effects on page 30.
3 Press the [FX ON/OFF] button.
When the effect is on, the selected effect is applied to the sound.
! When the button is pressed again, the effect is turned off.
— The effect parameters can be adjusted by turning the
[LEVEL/DEPTH] and [PARAMETER] controls.
— When the [FX CH SELECT] control is set to [MASTER] or
[MIC/AUX], the output of the microphone or AUX channel may
seem to be out of sync. In this case, either turn the effect off or
set the [FX CH SELECT] control to [A] or [B].
Setting the BPM manually
The BPM used as the base value for the effect can be set manually.
! When [A] or [B] is selected in the [FX CH SELECT] control, the auto mode
corresponding to the BPM of the track loaded in the deck is set.
Use the [TAP] button if you want to set the BPM manually.
! When [MASTER] or [MIC/AUX] is selected in the [FX CH SELECT]
control, the mode is always set to the manual mode.
Press the [TAP] button.
The interval at which the [TAP] button is tapped with a finger is set as the
BPM.
30
En
! When [A] or [B] is selected in the [FX CH SELECT] control, the BPM
can be set back to the auto mode by pressing and holding the [TAP]
button.

Types of effects

! In the descriptions in the section, the "set beat" refers to the beat set
with the [PARAMETER] control.
 REVERB
Reverb is a series of small natural delays or reverberations of the audio
signal, creating a spacious atmospheric trail such as you would hear
in a cave or in an enclosed space. These reverb "reflections" are audio
ripples that sound like the music is bouncing around from wall to wall.
As a digital effect, reverb can allow you to create a sense of space and
atmosphere. As the reverb depth becomes fully wet, the original sound
gradually disappears.
PARAMETER control Adjusts the degree of the reverb effect.
LEVEL/ DEPTH control Adjusts the reverb level.
 DELAY
A delay is when a part of the audio signal is repeated at a later stage.
Increasing the level of [FX MIX] will blend the delay level into the original
level, until you have 100 % delay blended into the original signal.
Use these to set a time delay of 1/16 – 8/1 with
PARAMETER control
respect to the time of one beat of the BPM.
Sets the balance between the original sound and the
LEVEL/ DEPTH control
effect sound.
 ECHO
Similar to the Delay, the Echo effect will repeat the original signal at a
later stage for a set number of times before the echo trail dissipates.
Echo emulates classic Tape Echo effect units, with a warmer, more ana-
logue sound, where the user is able to control the warmth/ colour of the
effected signal, rather than a clean digital delay. The level will increase
as the effect wetness is increased, until only the full wet delay is playing
with no original signal.
Use these to set a time delay of 1/16 – 8/1 with
PARAMETER control
respect to the time of one beat of the BPM.
Sets the balance between the original sound and the
LEVEL/ DEPTH control
effect sound.
 LPF
The low pass filter acts like an equalizer that cuts the top end out of
the frequency spectrum, allowing only the audio below the filter cut
off point to pass through, sweeping down towards the low end of the
signal. Resonance can be added, making the effect cut off point more
pronounced.
PARAMETER control Adjusts the resonance.
The further the control is turned clockwise, the more
LEVEL/ DEPTH control
the effect is stressed.
 HPF
The high pass filter acts like an equalizer that cuts the bass out of the fre-
quency spectrum, allowing only the audio above the filter cut off point to
pass through, sweeping up towards the top end of the signal. Resonance
can be added, making the effect cut off point more pronounced.
PARAMETER control Adjusts the resonance.
The further the control is turned clockwise, the more
LEVEL/ DEPTH control
the effect is stressed.