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Idiomas disponibles
Idiomas disponibles
MAKING A CROSS CUT
See Figures 38 - 40.
WARNING:
Make sure the blade guard assembly is installed and
working properly to avoid serious possible injury.
WARNING:
Using the rip fence as a cutoff gauge when cross cutting
will result in kickback which can cause serious personal
injury.
„ Remove the rip fence.
„ Set the blade to the correct depth for the workpiece.
„ Set the miter gauge to 0° and tighten the lock knob.
„ Make sure the wood is clear of the blade before turning
on the saw.
„ Press the top button on the switch to turn the saw on.
NOTE: The switch cover does not have to be raised to
operate the switch.
„ Press the bottom button on the switch to turn the saw off.
NOTE: To prevent unauthorized use, install a padlock
(not included) through the holes in the switch and cover
as shown in figure 39.
„ Let the blade build up to full speed before moving the
workpiece into the blade.
„ Hold the workpiece firmly with both hands on the miter
gauge and feed the workpiece into the blade.
NOTE: The hand closest to the blade should be placed
on the miter gauge lock knob and the hand farthest from
the blade should be placed on the workpiece.
„ When the cut is made, turn the saw off. Wait for the
blade to come to a complete stop before removing the
workpiece.
To make repetitive cross cuts:
„ A stop block can be used as a cut-off gauge to make
repetitive cross cuts of the same length without having to
mark the workpiece for each cut. The end of a stop block
should always be in front of the blade. NEVER use the rip
fence as a cut-off gauge.
„ Remove the rip fence.
„ Set the blade to the correct depth for the workpiece.
„ Set the miter gauge to 0° and tighten the lock knob.
„ Position a 3 in. block of wood at the desired distance
from the blade to act as a cut-off gauge.
„ Secure the stop block in place using a vice or a clamp.
OPERATION
PLACE LEFT HAND
ON MITER GAUGE
30 - English
CROSS CUT
PLACE RIGHT HAND ON
LOCK KNOB
SWITCH ON
SWITCH IN LOCKED POSITION
WORKPIECE AND
MITER GAUGE HERE
Fig. 38
SWITCH OFF
Fig. 39
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